【摘要】：隨著藝術(shù)時(shí)代的發(fā)展,人們的審美意趣從以往一成不變的寫實(shí)繪畫風(fēng)格慢慢地轉(zhuǎn)為具有“意象”精神的意象油畫的探索。意象油畫不是表面字義上的用油彩去畫中國畫,它融合了中國傳統(tǒng)審美意象的特征,力求在“似與不似之間”的造型上達(dá)到一種“物我合一”、“以意造境”虛實(shí)相生的藝術(shù)境界。意象油畫把西方的油畫材料和東方的文化精神、審美意趣相結(jié)合,在保留西方本土油畫的同時(shí),更加注重中國畫韻中“似與不似之間”的造型、色彩、空間以及筆墨氣韻,把中國畫中意境的創(chuàng)造表現(xiàn)的淋漓盡致,從而使藝術(shù)作品中的“意象”韻味尤為顯現(xiàn)。本文主要有五章節(jié),其中重點(diǎn)是三、四兩章內(nèi)容。本論文主要從意象油畫中的“意象”生成和西方流派對其影響出發(fā),并通過對其“意象”的語言特征分析研究,以探索中國意象油畫家油畫作品中各具鮮明特色的“意象”追求。通過探索研究,使我們認(rèn)識到意象油畫中的“意象”表達(dá)形式吸取了東方繪畫的審美內(nèi)涵,不僅是對客觀事物外在形式描繪的同時(shí)不拘泥于具體的物象形態(tài)、色彩等方面的直接表達(dá),而且是在全身心與自然融合的同時(shí)追求藝術(shù)家內(nèi)心情感精神的一種超脫之感,以其精心經(jīng)營的藝術(shù)畫面來表達(dá)“物我合一”的藝術(shù)境界。這在形式和內(nèi)涵上都表現(xiàn)出了東方典型的藝術(shù)特色,對大自然的這種感悟透顯出了中國藝術(shù)家特有的文化底蘊(yùn)和審美取向。油畫作為西方的舶來品,是發(fā)生于西方的藝術(shù)種類,在經(jīng)歷中國許多畫家在西方油畫探索實(shí)踐的道路上,他們探索出來的西方油畫已包含了中國民族本土化的藝術(shù)特色且?guī)в泻軓?qiáng)的東方名族氣質(zhì)神韻。
[Abstract]:With the development of the art age, people's aesthetic interest has gradually changed from the unchanging style of realistic painting to the exploration of image oil painting with the spirit of "image". Image oil painting is not to paint Chinese painting with oil color on the surface meaning. It combines the characteristics of Chinese traditional aesthetic image and strives to achieve a kind of "integration of things and self" in the modeling of "resemblance and non-resemblance". The artistic realm of "creating the Conception with the will". Image oil painting combines western oil painting materials with Oriental cultural spirit and aesthetic interest. While retaining western local oil paintings, it pays more attention to the modeling, color, space and ink charm in the rhyme of Chinese painting. The creation of artistic conception in Chinese painting is incisive and incisive, so that the charm of "image" in art works is particularly apparent. This article has five chapters, among which the emphasis is three, four two chapters content. This thesis mainly starts from the generation of "image" in image oil painting and the influence of western schools on it, and through the analysis and research of its "image" language characteristics. In order to explore the Chinese image oil painter oil painting works with distinct characteristics of the pursuit of "image". Through exploration and research, we realize that the expression of "image" in image oil painting absorbs the aesthetic connotation of Oriental painting, which is not only to describe the external form of objective things, but also not to stick to the concrete object form. The direct expression of color and other aspects is a kind of transcendent feeling of pursuing the artist's inner emotional spirit while merging with the whole body and nature, and expresses the artistic realm of "the unity of matter and self" with the artistic picture of its meticulous management. Both in form and connotation, it shows the typical artistic characteristics of the East, and this understanding of nature shows the unique cultural background and aesthetic orientation of Chinese artists. Oil painting, as an import of the West, is a kind of art occurring in the West. It has experienced many Chinese painters on the way of exploration and practice in Western oil painting. The western oil paintings they have explored already contain the artistic characteristics of Chinese nationalization and have a strong charm of Oriental famous ethnic temperament.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

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本文編號：2394266