自主與協(xié)作——建構(gòu)美術(shù)學(xué)的世界眼光
發(fā)布時間：2018-12-16 01:34
【摘要】：正隨著中國經(jīng)濟的迅速崛起,中國的政治、文化、藝術(shù)等各領(lǐng)域也吸引著世界關(guān)注的目光。與此同時,中國對于自身文化身份的認知,以及中國參與全球?qū)υ挼目赡苄缘姆此?也比此前任何一個時期都更加強烈、更加理性。中國美術(shù)學(xué)的自身建構(gòu)也被納入這個思考之中。很長一段時間內(nèi),中國的美術(shù)學(xué)都沒有走出"西方中心主義"的怪圈,至今的外國美術(shù)研究中,以美國為核心的西方現(xiàn)當代美術(shù)研究仍占據(jù)主要份
[Abstract]:With the rapid rise of Chinese economy, China's politics, culture, art and other fields have attracted the attention of the world. At the same time, China's perception of its cultural identity and the possibility of its participation in global dialogue are stronger and more rational than at any other time before. The self-construction of Chinese fine arts is also included in this thinking. For a long time, Chinese art science has not stepped out of the strange circle of "Western centrism". In foreign art studies, the contemporary and contemporary art studies, with the United States as the core, still occupy the main part.
【分類號】：J205
，
本文編號：2381637
[Abstract]:With the rapid rise of Chinese economy, China's politics, culture, art and other fields have attracted the attention of the world. At the same time, China's perception of its cultural identity and the possibility of its participation in global dialogue are stronger and more rational than at any other time before. The self-construction of Chinese fine arts is also included in this thinking. For a long time, Chinese art science has not stepped out of the strange circle of "Western centrism". In foreign art studies, the contemporary and contemporary art studies, with the United States as the core, still occupy the main part.
【分類號】：J205
，
本文編號：2381637
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