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中國古代花鳥畫與平面構(gòu)成關(guān)系探索

發(fā)布時間:2018-12-15 23:14
【摘要】:中國現(xiàn)代畫家將平面構(gòu)成形式運用于他們的創(chuàng)作當(dāng)中,使畫面取得了新的視覺效果,中國畫壇一般認(rèn)為當(dāng)代中國畫的平面構(gòu)成關(guān)系來自西方現(xiàn)代平面構(gòu)成。其實,中國花鳥畫自古以來就講究畫面構(gòu)圖的章法布局,中國花鳥畫上插、下垂、橫倚的構(gòu)圖法則,中國花鳥畫的黑白、分割、疏密等對比關(guān)系,以及中國花鳥畫常用的作畫口訣等,其中都包含了對平面構(gòu)成形式的表達(dá)與運用。所以本論文收集大量中國古代花鳥畫作品,分析它們?nèi)绾芜\用中國的平面構(gòu)成來描繪花鳥魚蟲等等。 本論文的寫作分為三個部分: 1、中國古代花鳥畫構(gòu)成研究和中國古代平面構(gòu)成及平面設(shè)計研究現(xiàn)狀進行文獻(xiàn)綜述。 2、首先梳理分析中國原始彩陶紋樣中的平面構(gòu)成形式,證明中國古代存在平面構(gòu)成的所有形式,為進一步研究中國古代花鳥畫的構(gòu)成尋找理論依據(jù)作鋪墊。然后將中國古代花鳥畫所表達(dá)出來的平面構(gòu)成形式做了圖像分析,論證了中國花鳥畫自古與平面構(gòu)成有必然的關(guān)系。 3、將中國古代圖文并茂的書籍設(shè)計形式與中國花鳥畫詩、書、畫、印相融合的藝術(shù)形式進行比較研究,得出中國古代平面設(shè)計中的書籍設(shè)計對中國花鳥畫詩、書、畫、印的藝術(shù)特點的形成有積極的意義。 本文在開題、寫作的過程中,通過實地考察、文獻(xiàn)研究,運用圖像分析、比較研究等方法來完成。本研究得出結(jié)論:1、中國古代平面構(gòu)成影響了中國古代花鳥畫構(gòu)圖與畫法。2、中國古代平面設(shè)計中的書籍設(shè)計對中國花鳥畫詩、書、畫、印的藝術(shù)特點的形成有積極的意義。這都是本文的創(chuàng)新點。
[Abstract]:Chinese modern painters apply the form of plane composition to their creation, which makes the picture obtain new visual effect. The Chinese painting circles generally think that the relationship of the plane composition of contemporary Chinese painting comes from the western modern plane composition. In fact, since ancient times, Chinese flower and bird paintings have paid attention to the layout of the composition of pictures, the rules of composition of Chinese flower and bird paintings that are inserted, pendulous, and horizontal, and the comparative relations between black and white, segmentation, and density of Chinese flower and bird paintings. And the Chinese flower-and-bird painting, which includes the expression and application of the form of plane composition. Therefore, this paper collected a large number of Chinese ancient flower and bird paintings, and analyzed how to use the Chinese plane structure to describe the flowers, birds, fish, insects and so on. The writing of this thesis is divided into three parts: 1. Literature review on the composition of Chinese ancient flower and bird painting and the research status of Chinese ancient plane composition and graphic design. 2. Firstly, the paper analyzes the plane constitution of the original painted pottery pattern in China, proves that all the forms of the plane constitution exist in ancient China, and lays the groundwork for the further study of the composition of the ancient Chinese flower and bird paintings. Then the image analysis is made on the plane form of the Chinese ancient flower and bird painting, and it is proved that the Chinese flower and bird painting has an inevitable relationship with the plane composition since ancient times. 3. By comparing the book design form of ancient China with the art form of Chinese flower and bird painting, book, painting and printing, the author draws the conclusion that the book design in the ancient Chinese graphic design has a great influence on the Chinese flower and bird painting poem, book and painting. The formation of the artistic characteristics of printing has positive significance. In the process of opening and writing, this paper is accomplished by field investigation, literature research, image analysis, comparative study and so on. The conclusions of this study are as follows: 1. The composition and painting method of Chinese ancient flower and bird paintings are influenced by the ancient Chinese plane composition. 2. The book design in the Chinese ancient graphic design has a great influence on the poetry, book and painting of Chinese flower and bird painting. The formation of the artistic characteristics of printing has positive significance. This is the innovation of this paper.
【學(xué)位授予單位】:西南大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J212

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