化古以出新—工筆花鳥畫創(chuàng)作之我見
發(fā)布時間：2018-12-16 03:12
【摘要】：隨著時代的不斷進(jìn)步，大眾的觀念意識不斷提高，工筆花鳥畫也得到了極大的發(fā)展，，特別是近年來，國際藝術(shù)交流日益頻繁所帶來的審美多元化導(dǎo)致人們對藝術(shù)作品的需求也日漸多樣化。工筆花鳥畫從色彩、題材，圖式語言的表現(xiàn)等方面與傳統(tǒng)模式相比有了極大的改變，表現(xiàn)風(fēng)格和材料技法也都有了革新和突破。 本文第一章首先對“古”和“新”進(jìn)行簡單的解釋和說明，然后從構(gòu)圖和染色技法兩方面分析探討了傳統(tǒng)工筆花鳥畫的藝術(shù)特色。第二章通過介紹現(xiàn)當(dāng)代幾位比較有代表性的工筆花鳥畫家來分析畫家們在當(dāng)代藝術(shù)語境下對“化古以出新”的詮釋。第三章是本文的重點，分別從題材選取與內(nèi)容描繪、構(gòu)圖形制與色彩觀念、材料的豐富和技法的擴(kuò)展三個方面闡述了我在工筆花鳥畫創(chuàng)作過程中對“化古以出新”進(jìn)行的嘗試與探索。最后簡單介紹了一下研究生期間的作品。
[Abstract]:With the progress of the times and the constant improvement of the public's concept and consciousness, meticulous flower-and-bird paintings have also been greatly developed, especially in recent years. The aesthetic diversity brought by more and more international art exchanges leads to the diversification of people's demand for works of art. The fine brushwork flower-and-bird painting has greatly changed compared with the traditional model in terms of color, subject matter, schema language and so on, and has also made innovations and breakthroughs in performance style and material techniques. In the first chapter of this paper, the author gives a brief explanation and explanation of "ancient" and "new", and then analyzes and discusses the artistic characteristics of traditional flower-and-bird paintings from the aspects of composition and dyeing techniques. In the second chapter, the author introduces some modern and contemporary painters of fine brushwork and birds to analyze their interpretation of "turning the ancient into the new" in the context of contemporary art. The third chapter is the focus of this paper, from the theme selection and content description, composition and color concept, The enrichment of materials and the expansion of techniques have expounded my attempt and exploration of "turning the ancient into the new" in the process of the fine brushwork of flower-and-bird painting. Finally, a brief introduction to the work of graduate students.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
本文編號：2381740
[Abstract]:With the progress of the times and the constant improvement of the public's concept and consciousness, meticulous flower-and-bird paintings have also been greatly developed, especially in recent years. The aesthetic diversity brought by more and more international art exchanges leads to the diversification of people's demand for works of art. The fine brushwork flower-and-bird painting has greatly changed compared with the traditional model in terms of color, subject matter, schema language and so on, and has also made innovations and breakthroughs in performance style and material techniques. In the first chapter of this paper, the author gives a brief explanation and explanation of "ancient" and "new", and then analyzes and discusses the artistic characteristics of traditional flower-and-bird paintings from the aspects of composition and dyeing techniques. In the second chapter, the author introduces some modern and contemporary painters of fine brushwork and birds to analyze their interpretation of "turning the ancient into the new" in the context of contemporary art. The third chapter is the focus of this paper, from the theme selection and content description, composition and color concept, The enrichment of materials and the expansion of techniques have expounded my attempt and exploration of "turning the ancient into the new" in the process of the fine brushwork of flower-and-bird painting. Finally, a brief introduction to the work of graduate students.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
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本文編號：2381740
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