魯迅漫畫思想研究
發(fā)布時間:2018-12-09 16:08
【摘要】:魯迅的美術(shù)生涯與漫畫有著密切的關(guān)聯(lián),也有著難以割舍的情感糾葛。魯迅的漫畫情結(jié)抑或其對漫畫藝術(shù)的鐘愛與選擇,,不僅是一種對漫畫藝術(shù)的執(zhí)著和偏愛,還是其探尋實現(xiàn)“立人”乃至“立國”之宏愿的有效羽翼的一種表現(xiàn)。魯迅漫畫情結(jié)的形成并不是一蹴而就的,而是由內(nèi)、外多方因素共同促成的,而其漫畫情結(jié)亦寓于他一生的漫畫活動之中,他畢生都對漫畫有著執(zhí)著的偏愛和深切的期許。 魯迅憑借自身強大的知識譜系和豐富的文藝創(chuàng)作經(jīng)驗,對漫畫的各種問題發(fā)表了一系列獨到的見解,這些見解表面上看似平淡無奇,卻暗藏著魯迅在個體破碎、社會凋零的生存境遇中深刻的人生思索,寄寓了魯迅強烈的人生觀照和社會批判意識。魯迅把漫畫納入一種社會和文明現(xiàn)象的考察,引起他對漫畫本質(zhì)以及價值取向的探究,他的論述中涉及了漫畫的一些根本性的問題,閃爍著現(xiàn)實主義和人本主義的精神光輝。 為了推動中國新興漫畫的萌芽,啟發(fā)和指引漫畫創(chuàng)作,豐富中國漫畫界創(chuàng)作的視野和維度,魯迅進一步展開了漫畫理論方面的審視與探求。從漫畫“真實”與“真情”的創(chuàng)作態(tài)度到“一目了然”的創(chuàng)作形式,再到“夸張”與“廓大”的創(chuàng)作方法,魯迅提出了一系列辯證深刻、引導(dǎo)創(chuàng)作的漫畫理論,這既是魯迅漫畫創(chuàng)作思想的核心,也是魯迅面對中國普遍的社會現(xiàn)實而采取的一種藝術(shù)嘗試和拯救策略。 魯迅漫畫思想構(gòu)成了其整體思想的重要分支,對其自身的文藝美學(xué)、文學(xué)創(chuàng)作等思想觀念有著獨特的作用,而且其漫畫思想對涵括中國漫畫在內(nèi)的整個中國現(xiàn)代美學(xué)都產(chǎn)生了重要的影響,為中國學(xué)術(shù)界留下了一份彌足珍貴的思想遺產(chǎn)。
[Abstract]:Lu Xun's art career is closely related to comic books and emotional entanglement. Lu Xun's manga complex or his love and choice for comic art is not only a kind of attachment and preference to comic art, but also an effective manifestation of his seeking for the great aspiration of "building a man" or "building a country". The formation of Lu Xun's comics complex was not accomplished overnight, but was brought about by various factors inside and outside, and his manga complex was also found in his manga activities all his life, and he had a persistent preference and deep expectation for comics all his life. Lu Xun, relying on his strong knowledge genealogy and rich literary and artistic creation experience, has expressed a series of original opinions on various problems of comic books. These opinions appear to be mediocre on the surface, but they are hidden in the individual fragmentation of Lu Xun. The profound thinking of life in the society's withering living circumstances embodies Lu Xun's strong outlook on life and social critical consciousness. Lu Xun's investigation of bringing comics into a social and civilized phenomenon has caused him to probe into the essence and value orientation of comic books. His exposition involves some fundamental problems of comic books, and flashes with the spiritual brilliance of realism and humanism. In order to promote the germination of new comics in China, enlighten and guide the creation of comics, and enrich the visual field and dimensions of Chinese comics creation, Lu Xun has carried out a further survey and exploration of comic theory. From the creative attitude of "truth" and "true feelings" to the creative form of "knowing at a glance" and to the creative methods of "exaggeration" and "great outline", Lu Xun has put forward a series of dialectical and profound comic theory to guide the creation of comic books. This is not only the core of Lu Xun's comics creation thought, but also an artistic attempt and a saving strategy taken by Lu Xun in the face of the general social reality in China. Lu Xun's caricature thought constituted an important branch of his whole thought and played a unique role in his own literary and artistic aesthetics, literary creation, etc. Moreover, his caricature thought has exerted an important influence on the whole modern Chinese aesthetics including Chinese comics, leaving a precious ideological heritage for the Chinese academic circles.
【學(xué)位授予單位】:湘潭大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I210;J218.2
本文編號:2369663
[Abstract]:Lu Xun's art career is closely related to comic books and emotional entanglement. Lu Xun's manga complex or his love and choice for comic art is not only a kind of attachment and preference to comic art, but also an effective manifestation of his seeking for the great aspiration of "building a man" or "building a country". The formation of Lu Xun's comics complex was not accomplished overnight, but was brought about by various factors inside and outside, and his manga complex was also found in his manga activities all his life, and he had a persistent preference and deep expectation for comics all his life. Lu Xun, relying on his strong knowledge genealogy and rich literary and artistic creation experience, has expressed a series of original opinions on various problems of comic books. These opinions appear to be mediocre on the surface, but they are hidden in the individual fragmentation of Lu Xun. The profound thinking of life in the society's withering living circumstances embodies Lu Xun's strong outlook on life and social critical consciousness. Lu Xun's investigation of bringing comics into a social and civilized phenomenon has caused him to probe into the essence and value orientation of comic books. His exposition involves some fundamental problems of comic books, and flashes with the spiritual brilliance of realism and humanism. In order to promote the germination of new comics in China, enlighten and guide the creation of comics, and enrich the visual field and dimensions of Chinese comics creation, Lu Xun has carried out a further survey and exploration of comic theory. From the creative attitude of "truth" and "true feelings" to the creative form of "knowing at a glance" and to the creative methods of "exaggeration" and "great outline", Lu Xun has put forward a series of dialectical and profound comic theory to guide the creation of comic books. This is not only the core of Lu Xun's comics creation thought, but also an artistic attempt and a saving strategy taken by Lu Xun in the face of the general social reality in China. Lu Xun's caricature thought constituted an important branch of his whole thought and played a unique role in his own literary and artistic aesthetics, literary creation, etc. Moreover, his caricature thought has exerted an important influence on the whole modern Chinese aesthetics including Chinese comics, leaving a precious ideological heritage for the Chinese academic circles.
【學(xué)位授予單位】:湘潭大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I210;J218.2
【參考文獻】
相關(guān)期刊論文 前10條
1 梅珞;;震撼“七月王朝”的畫筆——杜米埃及其政治漫畫[J];國際新聞界;1981年04期
2 呂友者;;抗戰(zhàn)時期版畫與漫畫社團運動[J];東方收藏;2013年06期
3 讓·斯塔洛賓斯基 ,陳占元;戈雅[J];外國文學(xué);1990年02期
4 李允經(jīng);魯迅與漫畫[J];魯迅研究動態(tài);1987年10期
5 肖振鳴;豐子愷漫畫與魯迅小說[J];魯迅研究月刊;2001年10期
6 曹昌光;漫畫:作為喜劇藝術(shù)[J];美術(shù)觀察;2000年06期
7 白曉明;;漫畫——魯迅作品的修辭特色[J];寧波大學(xué)學(xué)報(人文科學(xué)版);2006年03期
8 石子順 ,劉榮夫;從漫畫中看到的日本和中國的關(guān)系[J];魯迅研究動態(tài);1989年02期
9 崔云偉;寫實與表現(xiàn):論魯迅作品的漫畫感[J];山東科技大學(xué)學(xué)報(社會科學(xué)版);2005年01期
10 陳偉群;;淺談魯迅雜文的諷刺藝術(shù)[J];商業(yè)文化(下半月);2011年04期
本文編號:2369663
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2369663.html