【摘要】：中國風(fēng)景油畫本土化藝術(shù)語言和風(fēng)格的形成與中國的地域環(huán)境、傳統(tǒng)藝術(shù)之間存在著深層的聯(lián)系。地域環(huán)境的影響和中國傳統(tǒng)藝術(shù)的影響是西方風(fēng)景油畫在中國民族化、本土化的重要形成原因。文章以影響中國風(fēng)景油畫的本土化發(fā)展的主要因素為線索，論述了上世紀(jì)風(fēng)景油畫移植中國到現(xiàn)在在中國的本土化進(jìn)程，，具體論述了影響風(fēng)景油畫在中國本土化發(fā)展的重要的幾個(gè)成因。 文章首先解釋風(fēng)景油畫本土化的含義，概述中國風(fēng)景油畫的本土化進(jìn)程。然后主要針對(duì)風(fēng)景油畫本土化的成因進(jìn)行較全方位的分析，分析了地域性差異、民族傳統(tǒng)藝術(shù)、藝術(shù)思潮和藝術(shù)家的探索推動(dòng)對(duì)風(fēng)景油畫本土化的具體影響。在地域性影響方面，分析了風(fēng)景油畫的題材、表現(xiàn)風(fēng)格、表現(xiàn)手法的對(duì)風(fēng)景油畫的影響。在中國風(fēng)景油畫對(duì)中國水墨畫的借鑒和傳承方面，講述了風(fēng)景畫與水墨意象的結(jié)合、水墨筆意在風(fēng)景油畫中的運(yùn)用，及民間美術(shù)在寓意、色彩、材料等方面對(duì)風(fēng)景油畫本土化的影響。之后概述了藝術(shù)家個(gè)人的探索推動(dòng)著中國風(fēng)景油畫本土化的發(fā)展，其中包括藝術(shù)思潮的推動(dòng)和風(fēng)景油畫本土化藝術(shù)家個(gè)人的探索加速風(fēng)景油畫本土化發(fā)展，最后是對(duì)中國風(fēng)景油畫本土化的價(jià)值與意義、趨勢(shì)走向進(jìn)行的思考。 現(xiàn)如今中國風(fēng)景油畫在全球化發(fā)展的歷史背景下，在中西傳統(tǒng)風(fēng)景繪畫的基礎(chǔ)上呈現(xiàn)出進(jìn)一步融合、創(chuàng)新、多元化的發(fā)展趨勢(shì)。風(fēng)景油畫本土化探索對(duì)于當(dāng)代風(fēng)景油畫家的創(chuàng)作有著重要現(xiàn)實(shí)的指導(dǎo)意義，對(duì)于中國人的審美取向的回歸也起到了非常重要作用，為風(fēng)景油畫指明了一條新的道路。
[Abstract]:There is a deep relationship between the formation of native artistic language and style of Chinese landscape oil painting and Chinese regional environment and traditional art. The influence of regional environment and Chinese traditional art is the important reason for the nationalization and localization of western landscape oil painting in China. Taking the main factors influencing the development of Chinese landscape oil painting as the clue, this paper discusses the localization process of the landscape oil painting transplantation in China from the last century to the present. This paper discusses several important causes that affect the development of landscape oil painting in China. This paper first explains the meaning of the localization of landscape oil painting and summarizes the localization process of Chinese landscape oil painting. Then it mainly analyzes the causes of the localization of landscape oil painting, analyzes the regional differences, national traditional art, artistic trends and artists to promote the specific impact on the localization of landscape oil painting. In the aspect of regional influence, this paper analyzes the influence of the subject matter, performance style and expression technique of landscape oil painting on landscape oil painting. In the aspect of the reference and inheritance of Chinese landscape oil painting to Chinese ink painting, the combination of landscape painting and ink painting, the application of ink brush meaning in landscape painting, and the meaning and color of folk art are described. The influence of materials on localization of landscape oil painting. Then it summarizes the development of Chinese landscape oil painting localization promoted by the individual exploration of artists, including the promotion of artistic thoughts and the individual exploration of landscape oil painting artists to accelerate the development of landscape oil painting localization. Finally, the value and significance of the localization of Chinese landscape oil painting, the trend of thinking. Under the background of globalization, Chinese landscape oil painting shows a trend of further integration, innovation and diversification on the basis of Chinese and Western traditional landscape painting. The localization of landscape oil painting has important practical guiding significance for the creation of contemporary landscape oil painters, and also plays a very important role in the return of Chinese aesthetic orientation, which indicates a new way for landscape oil painting.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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