蒙古族題材水墨人物畫創(chuàng)作思考
發(fā)布時間：2018-12-09 16:09
【摘要】：該文主要以創(chuàng)作說明為主敘述了作品構(gòu)思到最后完成的整個過程,前兩章是本文蒙古族創(chuàng)作中吸收借鑒的一些畫家的筆墨技法及一些理論成果。最后一章是我的蒙古族題材水墨人物畫創(chuàng)作過程及體會,共分為三章。第一章為我的畢業(yè)創(chuàng)作創(chuàng)作背景,我的借鑒和吸收的一些水墨畫家的技法和理論,方增先先生的積墨技法對我影響比較大。第二章是我的創(chuàng)作理念,藝術(shù)來源于生活,寫生是創(chuàng)作的源泉,寫生對水墨人物畫的創(chuàng)作尤為重要,寫生能夠使藝術(shù)工作者更加真實的感受生活,感受到不同人物的不同形象性格。另外,簡要介紹了下內(nèi)蒙文化特點。第三部分是主要章節(jié)之一,詳細敘述了蒙古題材作品從素材的搜集整理到最后兩幅創(chuàng)作的完成。里面包括用筆用墨,設(shè)色及構(gòu)圖等等。最后一節(jié)是我的整個作品完成之后回顧的一些體會感悟。在這個過程中作者的筆墨技法也在不斷的提高,對大幅畫面的控制也有了很大提升。這將是我繪畫之路上寶貴的財富,對我以后的繪畫起著非常重要的意義。
[Abstract]:This paper mainly narrates the whole process from the conception to the final completion of the works. The first two chapters are the brush and ink techniques and some theoretical achievements of some painters absorbed and used for reference in the Mongolian creation of this paper. The last chapter is my creation process and experience of Mongolian ink figure painting, which is divided into three chapters. The first chapter is the background of my graduation and creation, the techniques and theories of some ink painters I draw lessons from and the ink accumulation techniques of Mr. Fang Zengxian have a great influence on me. The second chapter is my creative idea, art comes from life, sketching is the source of creation, sketching is particularly important to the creation of ink figure painting, sketching can make the artists feel life more truthfully. Feel the different characters of different characters. In addition, it briefly introduces the cultural characteristics of Inner Mongolia. The third part is one of the main chapters. It includes ink with pen, color and composition, etc. The last section is a review of some of my insights after my entire work has been completed. In this process, the author's pen and ink techniques are constantly improving, the control of large-scale picture has been greatly improved. This will be my painting on the road to valuable wealth, for my future painting plays a very important role.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
本文編號：2369664
[Abstract]:This paper mainly narrates the whole process from the conception to the final completion of the works. The first two chapters are the brush and ink techniques and some theoretical achievements of some painters absorbed and used for reference in the Mongolian creation of this paper. The last chapter is my creation process and experience of Mongolian ink figure painting, which is divided into three chapters. The first chapter is the background of my graduation and creation, the techniques and theories of some ink painters I draw lessons from and the ink accumulation techniques of Mr. Fang Zengxian have a great influence on me. The second chapter is my creative idea, art comes from life, sketching is the source of creation, sketching is particularly important to the creation of ink figure painting, sketching can make the artists feel life more truthfully. Feel the different characters of different characters. In addition, it briefly introduces the cultural characteristics of Inner Mongolia. The third part is one of the main chapters. It includes ink with pen, color and composition, etc. The last section is a review of some of my insights after my entire work has been completed. In this process, the author's pen and ink techniques are constantly improving, the control of large-scale picture has been greatly improved. This will be my painting on the road to valuable wealth, for my future painting plays a very important role.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212
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相關(guān)碩士學位論文 前4條
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，本文編號：2369664
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