【摘要】：一九三二年九月,黃賓虹入蜀,至一九三三年九月二十四日還滬。歷經(jīng)一年時(shí)間,在四川游歷講學(xué)。途經(jīng)宜賓,樂山,峨眉山,成都,灌縣,青城山等地。飽覽當(dāng)?shù)孛酱蟠ㄖ?他獲得了許多感悟心得,從而導(dǎo)致了此后黃賓虹的畫風(fēng)之變。許多學(xué)者認(rèn)為,黃賓虹來到巴蜀游山觀水的那段經(jīng)歷為日后形成其“渾厚華滋”,“黑密厚重”的風(fēng)格起到了十分關(guān)鍵的作用。巴蜀的山山水水具有其與眾不同的獨(dú)特面貌。其茂密的林木,高聳的海拔,濕潤的氣候。與北方山水的巖壁裸露,層巒疊嶂,以及江南山水山石伏臥,江湖眾橫形成了鮮明對比。而對比各地山水面貌,巴蜀的山水更加符合黃賓虹山水畫中那種渾厚華滋的感覺,這一點(diǎn),只有親身體驗(yàn)過,去過青城,峨眉的人才會(huì)真切認(rèn)同。對黃賓虹所畫的巴蜀山水畫本身進(jìn)行研究,從黃賓虹如何畫巴蜀的山水出發(fā),進(jìn)一步了解其所追求的“五筆七墨”在其巴蜀山水中有哪些具體體現(xiàn)。蜀游期間的經(jīng)歷對其畫法乃至畫理產(chǎn)生了何種促進(jìn),從而運(yùn)用于巴蜀山水畫乃至其后山水畫的創(chuàng)作上,這些都是本文研究的對象。希望從黃賓虹的巴蜀題材山水畫本身出發(fā),來研究他畫風(fēng)之變的問題,最終找出巴山蜀水對黃賓虹產(chǎn)生的影響以及黃賓虹的巴蜀題材山水畫對中國山水畫產(chǎn)生的影響是本文的撰寫目的。
[Abstract]:Huang Binhong entered Shu in September 1932 and returned to Shanghai on September 24, 1933. After a year, he traveled and lectured in Sichuan. Through Yibin, Leshan, Emei Mountain, Chengdu, Guanxian, Qingcheng Mountain and other places. After enjoying the local famous mountains and rivers, he gained a lot of insight, which led to the change of Huang Binhong's painting style. Many scholars believe that Huang Binhong's experience of visiting the mountains and watching water in Bashu played a very important role in the formation of his style of "huanzi" and "black dense and thick". The mountains and rivers of Bashu have their unique features. Its dense trees, towering elevation, humid climate. With the north of the rock wall exposed, mountains, mountains and rocks lying in the south of the Yangtze River, rivers and lakes cross formed a sharp contrast. Compared with the landscape features, Bashu landscape more in line with Huang Binhong's landscape painting feeling, this point, only personal experience, to Qingcheng, Emei talent will really agree. Based on the study of Huang Binhong's painting of Bashu landscape painting itself, from the perspective of Huang Binhong's painting of Bashu landscape, the author further understands what concrete embodiment of "five strokes and seven ink" in his Bashu landscape. What kind of promotion has the experience of Shu tour had to its painting method and even the painting principle, thus applied to the creation of Bashu landscape painting and later landscape painting, these are all the objects of this paper. I hope to study the change of his painting style from the perspective of Huang Binhong's landscape paintings of Bashu theme. Finally, the purpose of this paper is to find out the influence of Bashan and Shu water on Huang Binhong and the influence of Huang Binhong's landscape painting on Chinese landscape painting.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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本文編號(hào)：2311457