【摘要】：正一、入幕之因緣及其始末據(jù)蔡守夫人談月色回憶:“1917年,李根源到廣東為督辦,邀請(qǐng)蔡守為秘書長。趙藩為廣東交通部長,又請(qǐng)蔡守為秘書長。楊永泰為財(cái)政部長,又請(qǐng)蔡守為顧問�！眫1這則信息透露了蔡守在國畫研究會(huì)成立前夕的具體活動(dòng)情況。不過,談月色文中提到蔡守所擔(dān)任的職務(wù),在軍政府任職名單中沒有找到,反倒在李根源《雪生年錄》所公布的幕僚名單中,有蔡守、潘和與鄧爾雅等人的姓名~2。這證明蔡守等人所任職務(wù)純屬私人幕僚性質(zhì),談氏的記憶要么是誤記,要么是有托大的成分。而入幕時(shí)
[Abstract]:First, the cause of the curtain and its beginning and end according to Mrs. Tsai Shou-shou talking about the moonlight: "in 1917, Li root to Guangdong for the supervision, invited Cai Shou Secretary General." Zhao Fan was Minister of Communications of Guangdong Province, and asked Cai Shou-fu to be secretary-general. Yang Yongtai was Minister of Finance and asked Cai Shou to be his adviser. "the information revealed Cai Shou's specific activities on the eve of the establishment of the Chinese painting Society. However, the post of Cai Shou mentioned in the moonlit article was not found on the military junta's list of posts. On the contrary, the names of Cai Shou, Pan and Deng Erya were found in the list of aides published by Li Root's "record of the year of Xuesheng", and the names of Cai Shou, Pan and Deng Erya, and so on. This proves that Cai Shou's position is purely personal and his memory is either a mistake or a token. And when the curtain comes in,

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