構(gòu)成之美——論繪畫構(gòu)成原理及其在當(dāng)今中國(guó)畫中的運(yùn)用
發(fā)布時(shí)間：2018-11-05 08:18
【摘要】：構(gòu)成原理其本身從傳統(tǒng)繪畫中提煉而來,這一理論的形成對(duì)設(shè)計(jì)和繪畫起著積極的意義,然而許多畫家因?qū)?gòu)成原理缺乏正確的認(rèn)識(shí),在當(dāng)今中國(guó)畫創(chuàng)作中濫用,從而拋棄了中國(guó)畫的本質(zhì),消極了中國(guó)畫發(fā)展。
[Abstract]:The principle of constitution itself is extracted from the traditional painting. The formation of this theory plays a positive role in the design and painting. However, many painters, because of their lack of correct understanding of the principle of composition, abuse it in the contemporary Chinese painting creation. Thus abandoned the essence of Chinese painting, negative development of Chinese painting.
【作者單位】： 南京曉莊學(xué)院美術(shù)學(xué)院;
【分類號(hào)】：J212
本文編號(hào)：2311479
[Abstract]:The principle of constitution itself is extracted from the traditional painting. The formation of this theory plays a positive role in the design and painting. However, many painters, because of their lack of correct understanding of the principle of composition, abuse it in the contemporary Chinese painting creation. Thus abandoned the essence of Chinese painting, negative development of Chinese painting.
【作者單位】： 南京曉莊學(xué)院美術(shù)學(xué)院;
【分類號(hào)】：J212
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