【摘要】：當(dāng)下是一個推崇個性和充滿包容的時代，是藝術(shù)多種形態(tài)的并存。中國人物畫作為中國畫歷史上最為古老的畫種，是第一個得到完善的藝術(shù)形式，占據(jù)了中國繪畫發(fā)展史上的重要地位。本文討論了當(dāng)代水墨人物創(chuàng)作的一些新形勢，認(rèn)識到水墨人物畫具有鮮明的民族文化特征，用寫實(shí)手法表現(xiàn)現(xiàn)代水墨人物畫，在不失去人物造型的前提下，體現(xiàn)中國畫的“似與不似”。任何一種繪畫形式都是在接受新事物的過程中發(fā)展的，傳統(tǒng)的寫意人物畫也不可避免的要融合現(xiàn)代的繪畫方式。通過對前人的學(xué)習(xí)，加入了當(dāng)代流行的藝術(shù)形式，，從自己畢業(yè)創(chuàng)作的過程出發(fā)，討論傳統(tǒng)與現(xiàn)代融合的同時，“適度原則”的重要性。
[Abstract]:The present is an era of advocating individuality and being full of tolerance, and it is the coexistence of various forms of art. As the oldest painting in the history of Chinese painting, Chinese figure painting is the first perfect art form and occupies an important position in the history of Chinese painting development. This paper discusses some new situations in the creation of contemporary ink and wash figures, and recognizes that the ink and wash figure painting has distinct national cultural characteristics, and uses realistic techniques to express modern ink figure painting without losing its shape. Reflect the "resemblance and not resemblance" of Chinese painting. Any kind of painting form is developed in the process of accepting new things, traditional freehand brushwork painting is also inevitable to merge the modern painting methods. Through the study of the forefathers, we have joined the contemporary popular art form and discussed the importance of "moderation principle" while combining tradition and modernity from the process of graduation and creation.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 傅長安;;淺談水墨人物畫的造型基礎(chǔ)[J];大眾文藝;2011年20期

本文編號：2244271