【摘要】：中國工筆人物畫的歷史悠久,從魏晉南北朝時期的初興到到唐代時期的繁榮鼎盛,再到兩宋大發(fā)展。繪畫技巧逐漸成熟,繪畫形式也多姿多彩,繪畫理論也隨之日趨完善。以線造型,平涂設(shè)色,散點透視構(gòu)圖,使工筆人物畫表現(xiàn)出具有獨特的形式美感。 隨著社會的發(fā)展,現(xiàn)代工筆畫構(gòu)圖也呈現(xiàn)出不同的面貌。中國古代的工筆人物畫的構(gòu)圖比較傾向于主觀意識的表現(xiàn),是畫家主觀意識作用于客觀自然界,是畫家對無限空間的主觀表現(xiàn),也體現(xiàn)了中國的藝術(shù)精神�，F(xiàn)代工筆人物畫的構(gòu)圖是吸收借鑒西方古典主義、現(xiàn)代主義等繪畫流派的形式和特點,并在此基礎(chǔ)上進行發(fā)展和創(chuàng)新,創(chuàng)造出新的畫面表現(xiàn)形式。我們應(yīng)該進行創(chuàng)新學(xué)習(xí),在學(xué)習(xí)與借鑒中不斷發(fā)展,最終形成自己本民族的獨特的繪畫風(fēng)格。 本文內(nèi)容包括以下四部分：第一部分是淺析中國工筆人物畫構(gòu)圖的研究現(xiàn)狀,第二部分是詳細(xì)分析了中國現(xiàn)代工筆人物畫空間構(gòu)圖的新特點,第三部分是略寫中國現(xiàn)代工筆人物畫多樣的畫幅形態(tài),第四部分是探析工筆人物畫構(gòu)圖變化的原因。
[Abstract]:Chinese meticulous figure painting has a long history, from the beginning of the Wei, Jin, Southern and Northern dynasties, to the prosperity of the Tang Dynasty, to the great development of the Song Dynasty. Painting techniques gradually matured, painting forms are also colorful, painting theory is also becoming more and more perfect. Line modeling, flat painting color, scattered perspective composition, so that fine figure painting has a unique aesthetic form. With the development of society, modern meticulous painting composition also presents different features. The composition of meticulous figure painting in ancient China tends to the expression of subjective consciousness. It is the subjective consciousness of the painter acting on the objective nature, the subjective expression of the painter to infinite space, and the embodiment of Chinese artistic spirit. The composition of modern meticulous figure painting is to absorb the form and characteristics of western classicism, modernism and other painting schools, and on this basis to develop and innovate, to create a new form of picture expression. We should study innovatively, develop constantly in learning and learning, and finally form our own unique painting style. The content of this paper includes the following four parts: the first part is to analyze the current situation of the research on the composition of Chinese meticulous figure painting, the second part is to analyze in detail the new characteristics of the space composition of the Chinese modern meticulous figure painting. The third part is a brief description of the various forms of Chinese modern meticulous figure painting, the fourth part is to explore the reasons for the composition changes of meticulous figure painting.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

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本文編號：2243955