發(fā)布時間：2018-09-15 19:25

【摘要】：當下是一個推崇個性和充滿包容的時代，是藝術多種形態(tài)的并存。中國人物畫作為中國畫歷史上最為古老的畫種，是第一個得到完善的藝術形式，占據了中國繪畫發(fā)展史上的重要地位。本文討論了當代水墨人物創(chuàng)作的一些新形勢，，認識到水墨人物畫具有鮮明的民族文化特征，用寫實手法表現現代水墨人物畫，在不失去人物造型的前提下，體現中國畫的“似與不似”。任何一種繪畫形式都是在接受新事物的過程中發(fā)展的，傳統(tǒng)的寫意人物畫也不可避免的要融合現代的繪畫方式。通過對前人的學習，加入了當代流行的藝術形式，從自己畢業(yè)創(chuàng)作的過程出發(fā)，討論傳統(tǒng)與現代融合的同時，“適度原則”的重要性。
[Abstract]:As the oldest painting in the history of Chinese painting, Chinese figure painting is the first perfect art form and occupies an important position in the history of Chinese painting. This paper discusses some new situations of contemporary ink and wash figure creation. To the ink figure painting has the distinct national culture characteristic, uses the realistic technique to express the modern ink figure painting, under does not lose the figure modelling premise, manifests the Chinese painting "likeness and dissimilarity". Any kind of painting form is in receives the new thing the process development, the traditional freehand brushwork figure painting also inevitably must fuse the modern Through the study of predecessors and the addition of contemporary popular art forms, from their own graduation creative process, discussed the integration of traditional and modern at the same time, "moderate principle" of the importance.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

【參考文獻】

相關期刊論文 前1條

1 傅長安;;淺談水墨人物畫的造型基礎[J];大眾文藝;2011年20期

本文編號：2244272