天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 繪畫論文 >

論時代變遷與發(fā)展對工筆人物畫的影響

發(fā)布時間:2018-07-31 12:25
【摘要】:從歷史發(fā)展規(guī)律來看,時代的變遷與社會的發(fā)展對藝術(shù)有著巨大的影響。傳統(tǒng)中國畫是中華歷史文化長河中的一部分,在漫長的五千年歷史中傳統(tǒng)中國畫不斷的經(jīng)歷著繼承,變革與發(fā)展的過程,而工筆重彩畫作為中國畫重要的一部分,也逃脫不了歷史的裹挾,至今仍演繹著它的興衰旅程。本文主要是通過分析在以往不同時代背景下工筆重彩人物畫的發(fā)展情況,剖析它最初的興起,唐宋的繁榮以及明清衰落的緣由,以古鑒今來討論在當(dāng)下多元社會文化環(huán)境以及全球化背景下工筆人物畫緣何迎來一個新的繁榮時期,以及論述其在這一復(fù)興繁榮的過程中所面臨的機(jī)遇與挑戰(zhàn)。本文分三部分,第一部分主要闡述工筆人物畫歷史發(fā)展情況,并結(jié)合分析當(dāng)時的時代背景與社會情況,來揭示其興衰過程的原因。第二部分,簡述當(dāng)代工筆人物畫的發(fā)展情況,列舉具有代表性的中青年工筆人物畫家,論述當(dāng)下多元文化背景與如今工筆人物畫多樣性面貌的因果聯(lián)系。第三章結(jié)合本人在實踐創(chuàng)作中的體會以及目前現(xiàn)實主義題材工筆人物創(chuàng)作所普遍遇到的問題與現(xiàn)狀,闡述與提出自己的見解與方法。
[Abstract]:From the law of historical development, the changes of the times and the development of society have a great influence on art. Traditional Chinese painting is a part of the long stream of Chinese history and culture. In the long history of five thousand years, traditional Chinese painting has been continuously undergoing the process of inheritance, reform and development, and fine brushwork heavy color painting is an important part of Chinese painting. Also can not escape the history of blackmail, still deduces its rise and fall journey up to now. This article mainly through the analysis in the past different times background fine brushwork heavy color figure painting development situation, analyzes its initial rise, the Tang and Song Dynasty prosperity as well as the Ming and Qing Dynasty decline reason, In this paper, the author discusses the reason why meticulous figure painting ushered in a new prosperous period under the background of modern pluralistic social and cultural environment and globalization, and discusses the opportunities and challenges it faces in the process of revival and prosperity. This paper is divided into three parts. The first part mainly describes the historical development of meticulous figure painting, and combined with the analysis of the background of the times and social conditions, to reveal the reasons for its rise and fall. The second part, briefly describes the development of contemporary meticulous figure painting, enumerates the representative young and middle-aged meticulous figure painters, discusses the current multicultural background and the modern meticulous figure painting diversity of the causal link. The third chapter expounds and puts forward his own opinions and methods in combination with my experience in practical creation and the common problems and present situation encountered in the creation of realistic meticulous characters at present.
【學(xué)位授予單位】:中央美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 馬靜;;工筆畫的發(fā)展史及現(xiàn)狀芻議[J];飛天;2010年22期

2 郎紹君;;淺談當(dāng)代工筆畫[J];湖北美術(shù)學(xué)院學(xué)報;2007年04期

3 何家英;靜居而化[J];美術(shù)研究;1997年02期

4 余海棠;曹新剛;;走向多元——淺識中國工筆畫及其現(xiàn)狀的思考[J];湖北師范學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2008年05期

,

本文編號:2155578

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2155578.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶239bd***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com