十八世紀英國微型肖像畫的情感及審美價值
發(fā)布時間：2018-07-31 10:56
【摘要】：微型肖像畫在西方長期以來被認為是工藝美術品或是一種飾品,而并非是一種繪畫的門類。但它作為肖像畫,卻是不容忽視的一個小眾類別。本文主要以十八世紀英國的微型肖像畫作品作為研究對象,試圖以微型肖像藝術發(fā)展盛期的面貌出發(fā),來探究十八世紀(特定時期)、英國(代表性國家)的這類特色藝術,以便對該工藝畫種進行深入的了解。通過對十八世紀歐洲微型肖像畫歷史的客觀認識,對其社會價值研究具有一定的現(xiàn)實意義。筆者著重審視微型肖像畫在歐洲文化歷史中的重要性,分析它的情感及其審美價值,探究微型肖像畫的研究方式,深化微型肖像畫的理論研究。 歐洲肖像畫史為筆者撰寫此文提供了時代背景與理論支撐,在占有國內(nèi)外微型肖像畫文獻的基礎上,對其發(fā)展進行梳理和分析,以此展開對十八世紀微型肖像畫研究和闡釋。本文研究的主要內(nèi)容是從十八世紀英國微型肖像畫出發(fā),立足于其起源,歸納社會政治環(huán)境因素,了解肖像畫對微型肖像畫的影響。分析十八世紀英國微型肖像畫創(chuàng)作的繁榮局面和社會意義,通過研究微型肖像畫對象的“階級差別”,來探討其畫種發(fā)展的變化趨勢。探究歸納十八世紀英國微型肖像畫的功能,其中涵蓋功能：私人情感領域、審美趣味的角度進行闡述。結合英國詩歌研究的史料,以微型肖像畫中的經(jīng)典案例為例,綜合微型肖像畫與工藝藝術融合一體的貢獻,歸納出研究其社會意義與藝術價值、情感與審美價值。
[Abstract]:Miniature portraits have long been regarded as arts and crafts or ornaments in the West, not as a kind of painting. But as a portrait, it is a niche category that can not be ignored. This article mainly takes the British miniature portrait works of the 18th century as the research object, and tries to explore this kind of characteristic art of the 18th century (specific period), England (representative country) with the appearance of the miniature portrait art development prosperous period. In order to further understand the process of painting. Through the objective understanding of the history of European miniature portraits in the 18 th century, it is of practical significance to study its social value. The author emphatically examines the importance of miniature portrait painting in European cultural history, analyzes its emotion and aesthetic value, probes into the research method of miniature portrait painting, and deepens the theoretical research of miniature portrait painting. The history of European portraits provides the background and theoretical support for the author to write this article. On the basis of occupying the literature of miniature portraits both at home and abroad, the author combs and analyzes its development, and carries out the research and interpretation of miniature portraits in the 18th century. The main content of this paper is to start from the British miniature portrait painting in the 18th century, based on its origin, sum up the social and political environmental factors, and understand the influence of portrait painting on miniature portrait painting. This paper analyzes the prosperous situation and social significance of the creation of miniature portraits in England in the 18th century, and probes into the changing trend of the development of miniature portraits by studying the "class difference" of the objects of miniature portraits in the 18th century. Explore and summarize the functions of British miniature portraits in the 18 th century, including their functions: the field of personal emotion and the angle of aesthetic taste. Based on the historical data of British poetry research and taking the classic case of miniature portrait painting as an example, this paper summarizes the social significance and artistic value, emotion and aesthetic value of the study of miniature portrait painting and the contribution of the integration of miniature portrait painting and craft art.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.561
本文編號：2155369
[Abstract]:Miniature portraits have long been regarded as arts and crafts or ornaments in the West, not as a kind of painting. But as a portrait, it is a niche category that can not be ignored. This article mainly takes the British miniature portrait works of the 18th century as the research object, and tries to explore this kind of characteristic art of the 18th century (specific period), England (representative country) with the appearance of the miniature portrait art development prosperous period. In order to further understand the process of painting. Through the objective understanding of the history of European miniature portraits in the 18 th century, it is of practical significance to study its social value. The author emphatically examines the importance of miniature portrait painting in European cultural history, analyzes its emotion and aesthetic value, probes into the research method of miniature portrait painting, and deepens the theoretical research of miniature portrait painting. The history of European portraits provides the background and theoretical support for the author to write this article. On the basis of occupying the literature of miniature portraits both at home and abroad, the author combs and analyzes its development, and carries out the research and interpretation of miniature portraits in the 18th century. The main content of this paper is to start from the British miniature portrait painting in the 18th century, based on its origin, sum up the social and political environmental factors, and understand the influence of portrait painting on miniature portrait painting. This paper analyzes the prosperous situation and social significance of the creation of miniature portraits in England in the 18th century, and probes into the changing trend of the development of miniature portraits by studying the "class difference" of the objects of miniature portraits in the 18th century. Explore and summarize the functions of British miniature portraits in the 18 th century, including their functions: the field of personal emotion and the angle of aesthetic taste. Based on the historical data of British poetry research and taking the classic case of miniature portrait painting as an example, this paper summarizes the social significance and artistic value, emotion and aesthetic value of the study of miniature portrait painting and the contribution of the integration of miniature portrait painting and craft art.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.561
【參考文獻】
相關期刊論文 前6條
1 羅奇;;肖像畫的凝視——對自我空白的可能性填補與修復[J];美術學報;2012年05期
2 郝田虎;;簡論斯賓塞的詩歌與微型畫[J];歐美文學論叢;2012年00期
3 吳達志;十八世紀英國的肖像畫[J];世界美術;1981年01期
4 瑪麗娜·維西;梁毓秀;;歷史的瑰寶——倫敦國家肖像畫廊[J];文化譯叢;1986年04期
5 周潔;;范·戴克與趨近完美的權貴肖像畫[J];頌雅風·藝術月刊;2013年05期
6 范昀;;審美與公共性:重審十八世紀歐洲啟蒙美學的價值[J];文藝理論研究;2010年04期
，本文編號：2155369
本文鏈接：http://sikaile.net/wenyilunwen/huihuayishu/2155369.html
