【摘要】：近現代西方風景油畫已形成了借景抒情的表現性特質,中國風景油畫也是在不斷汲取西方繪畫藝術養(yǎng)分的過程中逐漸成長起來的,中國藝術家在學習借鑒西方風景油畫的同時也不斷地進行著自身繪畫創(chuàng)作上的突破和創(chuàng)新。中國畫作為根植于中國本土的一種藝術樣式,在其演繹發(fā)展的歷程中,自然會對本土藝術家產生文化影響,他們將中國繪畫與西方油畫結合漸進轉換自成風格。盡管繪畫表現形式來源于西方油畫,但是作品中的空間構圖形式和文化審美卻承襲了中國傳統(tǒng)繪畫精神。因而在中國風景油畫的建構中所形成獨特的空間形態(tài)、空間構成因素也促成了不同于西方風景油畫的表現形式。張杰對自然山水有著天然的親切感,在他的作品中處處充溢著真摯的“自然主義”情懷。他在進行風景油畫創(chuàng)作時不斷地思考和創(chuàng)新自己的繪畫語言,憑借自身敏銳的觀察力,將湖光山色進行主觀轉化和提煉,用他獨特的空間形態(tài)架構和東方化的意象表達來描繪他心目中的山水,使得他的風景油畫作品中透著濃濃的東方抒情意味。張杰塑造的風景油畫的空間形態(tài),主觀地帶著中國傳統(tǒng)文化藝術的印記,卻又有別于過去的傳統(tǒng)山水畫,他打破傳統(tǒng)構圖進行畫面重構,又將西方油畫的形式與中國畫的揮灑筆意及文人情趣融合在一起,繪制出大氣磅礴的山水畫境,營造出一個氣韻靈動的氛圍,呈現出一個瀟灑自在的精神境界。張杰運用獨特的繪畫語言將自己的精神性注入到風景油畫中去,在引起觀者精神共鳴的同時也產生了一定的藝術價值。本文通過對張杰風景油畫形式風格的解讀,闡述分析其空間形態(tài)形成原因、建構方式及其特點,用一種嶄新的視角,深入探索當代中國風景油畫創(chuàng)作的另一種可能,使其呈現出一種不同于以往風景油畫的寫意性表達;通過對張杰風景油畫作品中審美情趣的研究,進而挖掘藝術家所要表達的更深層次的精神內涵。文章以張杰風景油畫的空間形態(tài)為研究對象,分四個部分展開論述:第一章,從張杰風景油畫創(chuàng)作路徑分析談起,并對他早期油畫的特點和之后風景油畫的轉向進行詳細的論述;第二章,逐層研究張杰風景油畫空間形態(tài)的演變與形成,從他風景油畫空間形態(tài)演變的成因分析、空間形態(tài)的“變”與“不變”及空間形態(tài)的獨特架構這三個方面進行剖析,挖掘他畫面中的精神性和其空間形態(tài)構建的可變性;第三章,著重分析張杰風景油畫中空間形態(tài)的表現形式,包括他風景油畫空間形態(tài)的建構方式和重構方法,對他利用打破焦點透視的重構語言的多義性有一個詳盡系統(tǒng)的了解;第四章,張杰風景油畫空間形態(tài)重構的價值與啟示,通過對其作品中藝術價值和精神內涵的研究,探索其風景油畫空間形態(tài)的重構對今后我們創(chuàng)作的啟示作用。
[Abstract]:The modern western landscape oil painting has formed the expressive characteristic of using the scenery lyricism, the Chinese landscape oil painting is also gradually growing up in the process of absorbing the western painting art nourishment. While learning from western landscape paintings, Chinese artists are constantly making breakthroughs and innovations in their own painting creation. Chinese painting as an art style rooted in the Chinese native, in the course of its interpretation and development, naturally will have a cultural impact on local artists, they will combine Chinese painting and Western oil painting into a gradual transformation of their own style. Although the form of expression of painting comes from western oil painting, the form of space composition and the aesthetic of culture in the works inherit the spirit of Chinese traditional painting. Therefore, in the construction of Chinese landscape oil painting, the formation of a unique space form, space composition factors also contributed to the different form of expression of western landscape oil painting. Zhang Jie has a natural affinity for natural landscapes, and his works are filled with sincere feelings of naturalism. He constantly pondered and innovated his painting language while he was creating landscape oil paintings. With his keen observation, he transformed and refined the landscape of lakes and mountains subjectively. Using his unique spatial structure and the image expression of Orientalization to describe the landscape in his mind makes his landscape oil paintings have a strong oriental lyric meaning. The spatial form of landscape oil painting created by Zhang Jie is subjective with the imprint of Chinese traditional culture and art, but it is different from the traditional landscape painting in the past. He breaks the traditional composition and reconstructs the picture. The form of western oil painting and the style of Chinese painting and literati interest are combined together to draw out the magnificent landscape painting environment, to create a lively atmosphere, showing a natural and free spiritual realm. Zhang Jie uses the unique painting language to inject his spirit into the landscape oil painting, which not only arouses the spiritual resonance of the viewer, but also produces certain artistic value. Based on the interpretation of the formal style of Zhang Jie landscape oil painting, this paper expounds and analyzes the reasons for the formation of its spatial form, the way of its construction and its characteristics, and probes into another possibility of contemporary Chinese landscape oil painting creation with a new angle of view. Make it present a kind of freehand brushwork expression which is different from the previous landscape oil painting; through the research of the aesthetic taste in Zhang Jie landscape oil painting works, then excavate the deeper spiritual connotation that the artist wants to express. This paper takes the spatial form of Zhang Jie landscape oil painting as the research object, and discusses it in four parts: the first chapter, from the Zhang Jie landscape oil painting creation path analysis, The characteristics of his early oil painting and the turn of landscape oil painting were discussed in detail. The second chapter studied the evolution and formation of Zhang Jie landscape oil painting space form layer by layer, and analyzed the causes of the evolution of his landscape oil painting space form. The "change" and "invariance" of the spatial form and the unique structure of the spatial form are analyzed in order to explore the spirituality in his picture and the variability of the construction of his spatial form. The paper mainly analyzes the expression form of spatial form in Zhang Jie landscape oil painting, including the construction mode and reconstruction method of space form of his landscape oil painting, and has a detailed and systematic understanding of the polysemy of his reconstruction language which breaks the focus perspective. The value and inspiration of the reconstruction of Zhang Jie landscape oil painting space form, through the study of the artistic value and spiritual connotation in his works, to explore its landscape oil painting space form reconstruction for the future inspiration to our creation.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

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