發(fā)布時間：2018-07-27 12:55

【摘要】：扇子是夏令必備的引風(fēng)之物，自古就帶著民族風(fēng)格的藝術(shù)風(fēng)韻。扇子的精湛工藝同繪畫、書法和設(shè)計等多種藝術(shù)形式緊密的結(jié)合在一起，逐漸形成多樣性多色彩的藝術(shù)品。扇面繪畫在我國擁有悠久而璀璨的歷史，它不僅是中國扇文化的重要組成部分，同時又是我國書畫藝術(shù)史中極具民族色彩的一種特殊表現(xiàn)形式。扇面繪畫藝術(shù)表現(xiàn)多種多樣，山水人物、花鳥走獸等皆可作畫。在中國扇面繪畫悠久的歷史長河中，不同時期必然會相應(yīng)出現(xiàn)不同成就的杰出代表性大家，而相對于每一位畫家而言，藝術(shù)特色和藝術(shù)思想都是獨(dú)一無二的。但是，恒久不變的是，從每一位畫家的藝術(shù)作品中總能折射出時代的特征，反應(yīng)當(dāng)時的藝術(shù)大氛圍下的風(fēng)情面貌。這對于后人探尋中國繪畫審美的本質(zhì)和發(fā)展變化規(guī)律有著至關(guān)重要的指導(dǎo)作用。蘇百鈞就是這樣一位名家巨匠，尤其是他的工筆扇面繪畫，其造型嚴(yán)謹(jǐn)、筆法通透、色彩考究，更值得推敲的是他歸于自然的思想境界。蘇百鈞的扇面繪畫藝術(shù),意趣生動,其構(gòu)景、取意、造境、施藝，都能獨(dú)出機(jī)杼，每有創(chuàng)造。 通過對蘇百鈞工筆扇面繪畫藝術(shù)的研究，對于藝術(shù)的繼承和創(chuàng)新有了現(xiàn)實指導(dǎo)作用，使得還處在苦苦求學(xué)中的我們領(lǐng)悟到傳統(tǒng)繪畫的精髓并且鼓起推陳出新的勇氣。通過對蘇百鈞工筆扇面畫作品的深入解剖，作為對今后工筆扇面畫的發(fā)展和進(jìn)步做出初步的探討和實踐。 本文將美術(shù)學(xué)、設(shè)計學(xué)、藝術(shù)學(xué)等理論作為基礎(chǔ)，，采用文獻(xiàn)分析法和個案分析法。文章第一章為蘇百鈞之藝術(shù)生平和藝術(shù)淵源的綜述。第二章從扇面繪畫歷史文化切入，簡要描述扇面繪畫的歷史發(fā)展。第三章為全文的重點，分別對蘇百鈞工筆扇面畫的題材內(nèi)容、構(gòu)圖、色彩和意境等方面分析研究。第四章為結(jié)尾章節(jié)，為蘇百鈞工筆扇面繪畫對本人自身繪畫技法、思想境界等方面的影響。
[Abstract]:Fan is necessary to attract summer wind, since ancient times with a national style of artistic charm. The exquisite craftsmanship of fans is closely combined with various art forms, such as painting, calligraphy and design, gradually forming a variety of multicolored works of art. Fan painting has a long and bright history in China. It is not only an important part of Chinese fan culture, but also a special form of Chinese calligraphy and painting art history with national color. Fan painting art is diverse, landscape characters, flowers, birds and animals can be painted. In the long history of Chinese fan painting, different periods will inevitably lead to different achievements of the outstanding representative of everyone, and compared to each painter, artistic characteristics and artistic ideas are unique. However, it is permanent that every painter's works of art can always reflect the characteristics of the times, reflecting the atmosphere of the art of that time. It is very important for future generations to explore the essence and development of Chinese painting aesthetics. Su Baijun is such a famous master, especially his meticulous fan painting, whose shape is rigorous, the style is clear, the color is elegant, more worthy of examination is his ideological realm attributed to nature. Su Baijun's fan painting art, lively, its structure, meaning, environment, art, can be alone out of the loom, every creation. Through the study of the fine brush painting art of Su Baijun, it has a realistic guiding role for the inheritance and innovation of art, which makes us understand the essence of traditional painting and muster up the courage to bring forth the new. Through the deep anatomy of Su Baijun's fine brush sector painting works, this paper makes a preliminary discussion and practice on the development and progress of the fine brushwork sector painting in the future. Based on the theories of art, design and art, this paper adopts literature analysis and case analysis. The first chapter is a summary of Su Baijun's artistic origin. The second chapter introduces the history and culture of fan painting and briefly describes the historical development of fan painting. The third chapter is the focus of the full text, respectively on the subject matter content, composition, color and artistic conception of Su Baijun fine brushwork fan painting. The fourth chapter is the end of the chapter, for Su Baijun fine brushwork fan painting on my own painting techniques, ideological realm and other aspects of the impact.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蘇百鈞;;寫生課教學(xué)[J];國畫家;2007年04期

本文編號：2147901