朱仙鎮(zhèn)木版年畫造型語(yǔ)言的二維化解析與重構(gòu)
發(fā)布時(shí)間：2018-07-14 19:04
【摘要】：朱仙鎮(zhèn)木版年畫，是我國(guó)民間藝術(shù)寶庫(kù)中的璀璨明珠，以其獨(dú)特的造型語(yǔ)言魅力在中國(guó)傳統(tǒng)年畫藝術(shù)中閃耀華彩，它的重要不光是歷史意蘊(yùn)和民俗文化的積淀，更多的是取之不盡用之不竭的藝術(shù)資源，并且對(duì)傳統(tǒng)造型語(yǔ)言研究發(fā)揮著重要作用。在時(shí)代的快速發(fā)展中，朱仙鎮(zhèn)木版年畫的造型語(yǔ)言也在不斷創(chuàng)新變化，通過(guò)對(duì)造型語(yǔ)言的解析與重構(gòu)發(fā)展出豐富多變的表現(xiàn)形式和種類，不僅有助于理解傳統(tǒng)文化的傳承發(fā)展，對(duì)未來(lái)也具有一定的現(xiàn)實(shí)意義。筆者曾多次的實(shí)地考察，搜集大量的信息、圖像、視頻資料，借助多角度分析，反復(fù)比較實(shí)踐，通過(guò)對(duì)朱仙鎮(zhèn)造型語(yǔ)言的二維化解析與重構(gòu)，更深層次的認(rèn)知和理解了朱仙鎮(zhèn)木版年畫獨(dú)特的文化藝術(shù)內(nèi)涵。 論文一共分為五個(gè)章節(jié)，，分別論述了朱仙鎮(zhèn)木版年畫的造型溯源、朱仙鎮(zhèn)木版年畫造型語(yǔ)言的二維化解析、朱仙鎮(zhèn)木版年畫造型語(yǔ)言的二維化重構(gòu)以及朱仙鎮(zhèn)木版年畫造型元素的創(chuàng)意應(yīng)用實(shí)踐等內(nèi)容，并結(jié)合自己的實(shí)踐對(duì)朱仙鎮(zhèn)木版年畫造型語(yǔ)言在現(xiàn)代語(yǔ)境中的應(yīng)用進(jìn)行探索。本課題從民間美術(shù)造型和民間傳統(tǒng)審美觀念的角度，結(jié)合實(shí)踐過(guò)程中收集的第一手寶貴資料，通過(guò)新的視角著重解析在當(dāng)下朱仙鎮(zhèn)木版年畫造型語(yǔ)言藝術(shù)。通過(guò)這種藝術(shù)研究體現(xiàn)了朱仙鎮(zhèn)木版年畫這種人性化的情感表達(dá)、回歸自然和返璞歸真的造物原則，具有本土文化特征的審美思想和造型語(yǔ)言豐富了現(xiàn)代設(shè)計(jì)的內(nèi)容。 同時(shí)，通過(guò)對(duì)朱仙鎮(zhèn)造型語(yǔ)言的二維化解析與重構(gòu)的深入研究和分析，挖掘其間的形式變化，尋求新的視覺(jué)語(yǔ)言，將其藝術(shù)元素進(jìn)行現(xiàn)代編碼，完成傳統(tǒng)造型語(yǔ)言在現(xiàn)代設(shè)計(jì)中的傳承與轉(zhuǎn)換的可能性。
[Abstract]:The wooden New year Pictures of Zhu Xianzhen are the bright pearl in the treasure-house of folk art of our country. With their unique modeling language charm, they shine brilliantly in the traditional Chinese New year painting art. Its importance is not only the accumulation of historical implication and folk culture, but also the accumulation of folk culture. More is the inexhaustible artistic resources, and plays an important role in the traditional modeling language research. In the rapid development of the times, the modeling language of the wooden New year Pictures of Zhu Xianzhen is constantly innovating and changing. Through the analysis and reconstruction of the modeling language, it develops rich and changeable forms and kinds of expression, which is not only helpful to understand the inheritance and development of the traditional culture. Also has certain realistic significance to the future. The author has visited the field for many times, collected a lot of information, images, video materials, through multi-angle analysis, repeated comparison of practice, through the analysis and reconstruction of Zhu Xianzhen modeling language two-dimensional, A deeper understanding and understanding of the unique cultural and artistic connotations of Zhu Xianzhen woodcut New year paintings. The paper is divided into five chapters, respectively discussed the origin of Zhu Xianzhen woodblock New year Pictures, Zhu Xianzhen woodblock New year painting modeling language two-dimensional analysis, This paper discusses the reconstruction of the modeling language of Zhuxianzhen woodblock New year Picture and the creative application of the elements of Zhuxianzhen New year Picture, and probes into the application of Zhuxianzhen woodblock New year painting modeling language in the modern context in combination with its own practice. From the angle of folk art modeling and folk traditional aesthetic concept, combining with the first-hand valuable information collected in practice, this subject focuses on the analysis of language art of wooden New year paintings in Zhuxian Town at present through a new perspective. Through this kind of artistic research, this humanized expression of emotion, returning to nature and returning to nature, and the aesthetic thought and modeling language with native cultural characteristics have enriched the content of modern design, such as the humanized expression of emotion in the woodcut New year painting of Zhu Xianzhen, the principle of returning to nature and returning to nature. At the same time, through the in-depth study and analysis of the two-dimensional analysis and reconstruction of Zhu Xianzhen's modeling language, the author excavates the form changes between them, seeks for a new visual language, and encodes the artistic elements of the language in a modern way. The possibility of inheritance and transformation of traditional modeling language in modern design is completed.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J217
本文編號(hào)：2122659
[Abstract]:The wooden New year Pictures of Zhu Xianzhen are the bright pearl in the treasure-house of folk art of our country. With their unique modeling language charm, they shine brilliantly in the traditional Chinese New year painting art. Its importance is not only the accumulation of historical implication and folk culture, but also the accumulation of folk culture. More is the inexhaustible artistic resources, and plays an important role in the traditional modeling language research. In the rapid development of the times, the modeling language of the wooden New year Pictures of Zhu Xianzhen is constantly innovating and changing. Through the analysis and reconstruction of the modeling language, it develops rich and changeable forms and kinds of expression, which is not only helpful to understand the inheritance and development of the traditional culture. Also has certain realistic significance to the future. The author has visited the field for many times, collected a lot of information, images, video materials, through multi-angle analysis, repeated comparison of practice, through the analysis and reconstruction of Zhu Xianzhen modeling language two-dimensional, A deeper understanding and understanding of the unique cultural and artistic connotations of Zhu Xianzhen woodcut New year paintings. The paper is divided into five chapters, respectively discussed the origin of Zhu Xianzhen woodblock New year Pictures, Zhu Xianzhen woodblock New year painting modeling language two-dimensional analysis, This paper discusses the reconstruction of the modeling language of Zhuxianzhen woodblock New year Picture and the creative application of the elements of Zhuxianzhen New year Picture, and probes into the application of Zhuxianzhen woodblock New year painting modeling language in the modern context in combination with its own practice. From the angle of folk art modeling and folk traditional aesthetic concept, combining with the first-hand valuable information collected in practice, this subject focuses on the analysis of language art of wooden New year paintings in Zhuxian Town at present through a new perspective. Through this kind of artistic research, this humanized expression of emotion, returning to nature and returning to nature, and the aesthetic thought and modeling language with native cultural characteristics have enriched the content of modern design, such as the humanized expression of emotion in the woodcut New year painting of Zhu Xianzhen, the principle of returning to nature and returning to nature. At the same time, through the in-depth study and analysis of the two-dimensional analysis and reconstruction of Zhu Xianzhen's modeling language, the author excavates the form changes between them, seeks for a new visual language, and encodes the artistic elements of the language in a modern way. The possibility of inheritance and transformation of traditional modeling language in modern design is completed.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J217
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 李雷;談民間美術(shù)造型特征與現(xiàn)代構(gòu)成的結(jié)合——版畫創(chuàng)作隨感[J];美術(shù);1998年03期
2 邵亦楊;從形式美學(xué)到視覺(jué)文化——形式問(wèn)題在現(xiàn)代主義和后現(xiàn)代主義歷史語(yǔ)境的多重讀本[J];美術(shù)觀察;2003年12期
本文編號(hào)：2122659
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