本文選題：方干民 + 現(xiàn)代主義�。� 參考：《中國美術(shù)學(xué)院》2016年碩士論文

【摘要】：對于今天的藝術(shù)工作者來說,吳大羽已經(jīng)略顯陌生,而提起方干民,恐怕更是知之者罕。這并不很奇怪,當(dāng)我在網(wǎng)上收集方干民的資料時,看到的結(jié)果幾乎都是不足三四百字簡介。林風(fēng)眠早在民國時便是全國的知名人物,吳大羽的藝術(shù)成就也只在最近十來年才逐漸引起國內(nèi)專業(yè)人士的重視,可方干民卻遲遲沒有進(jìn)入人們的視野。在早期國立藝專的歷史上,方干民是為數(shù)不多的產(chǎn)生較大影響力的人物之一。方干民的藝術(shù)思想長期以來一直被埋沒,本文以方干民的時代環(huán)境為依托,梳理其藝術(shù)風(fēng)格演變的脈絡(luò),以方干民學(xué)生的回憶和他的繪畫作品為線索,解析他的藝術(shù)經(jīng)歷和成長歷程。通過對他的重新挖掘,還原一個更符合真實(shí)歷史的方干民。
[Abstract]:For today's art workers, Wu Dayu has been slightly unfamiliar, and the mention of Fang Gan-min, I am afraid even more rare. This is not very surprising, when I collect information about Fang Gan-min on the Internet, almost all of the results are less than three or four hundred words of brief. Lin Fengmian was a well-known figure throughout the country as early as the Republic of China. Wu's artistic achievements have only gradually attracted the attention of domestic professionals in the last decade or so, but Fang Gan-min has been slow to enter people's view. Fang Gan-min was one of the few influential people in the history of the early National College of Arts. Fang Gan-min 's artistic thought has been buried for a long time. This article is based on Fang Gan-min 's time environment, combing the evolution of his artistic style, taking the memory of Fang Gan-min 's students and his painting works as the clue. Analysis of his artistic experience and growth process. Through his re-excavation, restore a more realistic history of Fang Gan-min.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J213

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