本文選題：心態(tài) + 繪畫創(chuàng)作��； 參考：《陜西師范大學》2013年碩士論文

【摘要】：在繪畫藝術的生產中,藝術家是藝術作品的生產者和創(chuàng)造者。沒有藝術家就沒有所謂的藝術創(chuàng)作,也就不會產生藝術作品。所以,藝術創(chuàng)作活動就成為了人類特有的一種高級的、復雜的精神活動與實踐活動。同時,藝術創(chuàng)作過程也會產生不同的心態(tài),這些“心態(tài)”也可以說是千差萬別的、豐富多樣。這些因素都在或隱或顯地、交互地發(fā)生在作品創(chuàng)作中,會影響著藝術家繪畫創(chuàng)作過程的心態(tài),從而會影響繪畫作品中藝術含量的多少。本文通過自身創(chuàng)作過程的體會,了解與分析、認知與思考對畫家創(chuàng)作中的心態(tài),有助于學習這些心態(tài)其中的利害關系,避免藝術創(chuàng)作過程中的不利影響,就成為了繪畫創(chuàng)作中重要的課題。
[Abstract]:In the production of the art of painting, the artist is the producer and creator of the works of art. Without an artist, there is no art creation and no art works. Therefore, artistic creation has become a kind of advanced, complex spiritual activities and practical activities peculiar to human beings. At the same time, the process of artistic creation will also produce no more. The same mentality, these "mentality" can also be said to be different, rich and diverse. These factors are either implicit or explicit in the creation of the works, which will affect the mentality of the artist's painting process, which will affect the amount of art in the painting. Through the experience of the process of his own creation, this article is understood and analyzed. It is an important subject in painting creation that cognition and thinking can help to learn the interests of these mindsets and avoid the adverse effects in the process of artistic creation.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J204

【參考文獻】

相關期刊論文 前1條

1 柳建平;;淺議中國畫之筆墨[J];科技信息(科學教研);2008年20期

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本文編號：2095725