本文選題：羅聘 + 鬼題材畫　； 參考：《揚州大學》2014年碩士論文

【摘要】：羅聘是“揚州八怪”年齡最小的一位畫家,是“揚州八怪”的殿軍。他的畫路廣泛,風格獨特,繼承了揚州八怪創(chuàng)新的特質(zhì)。他以“鬼”做為創(chuàng)作的素材,以隱晦、諷刺性的藝術(shù)手法,對社會進行哲理的思考,辛辣而深刻地反映了清中葉社會的黑暗,具有現(xiàn)實主義精神,對后世人物畫創(chuàng)作有著極為深遠的影響,不僅開啟了中國式漫畫的先河,而且對寫意人物領(lǐng)域上也產(chǎn)生了影響,將“怪”用在寫意人物上,形神兼?zhèn)?注重神似,惟妙惟肖,開創(chuàng)了寫意的文人肖像畫的全新領(lǐng)域。作為揚州八怪的羅聘,為什么選取畫“鬼”這一不易被世人所接受的題材?這與中國繪畫中的畫鬼現(xiàn)象及羅聘生活時代的背景有著怎樣的聯(lián)系?他的鬼題材作品的藝術(shù)風貌是怎樣的?他鬼題材畫的意義和作用又是什么?這些都是本文所要研究的范疇。本文以羅聘為研究對象,首先立足于目前學術(shù)界研究的現(xiàn)狀,緊密結(jié)合當時時代背景和文化研究,著力探尋羅聘鬼題材畫的深意,在研究原作的基礎(chǔ)上對羅聘鬼題材畫的藝術(shù)風貌進行剖析。從多方面、多角度探討當時社會的政治環(huán)境、經(jīng)濟生活、文化背景和羅聘個人的經(jīng)歷對于其創(chuàng)作鬼題材畫的影響。全文分為以下三個部分： 第一部分對羅聘創(chuàng)作鬼題材畫進行一個總的概述,闡釋中國繪畫中的畫鬼現(xiàn)象及羅聘所生活的時代背景,從政治、文化等方面探尋羅聘創(chuàng)作“鬼”這一形象的原因。 第二部分對羅聘鬼題材作品進行分析,從鬼形象的世俗性、趣味性、諷刺性方面著手探討,以此來闡述鬼題材畫整體所呈現(xiàn)的藝術(shù)特色。 第三部分論述羅聘鬼題材畫的作用及意義。羅聘借用“鬼”喻事,辛辣而深刻地反映了清中葉社會的黑暗,具有現(xiàn)實主義的精神,對后世人物畫創(chuàng)作有著極為深遠的影響,開啟了中國式漫畫的先河。羅聘鬼題材畫的出現(xiàn),對中國“鬼”畫體裁的創(chuàng)作有著重大而深遠的影響,可以說是中國“鬼”畫表現(xiàn)形式的一個重要的轉(zhuǎn)折點,拓展了繪畫藝術(shù)的題材和范疇。
[Abstract]:Luo Ping is the youngest painter in Yangzhou eight Weirds and the temple army of Yangzhou eight Weirds. His painting road is extensive, the style is unique, has inherited Yangzhou eight strange innovation characteristic. He takes "ghost" as the material of creation, carries on the philosophy thought to the society with the obscure, the satirical artistic technique, has the pungent but profound reflection in the Qing Dynasty society dark, has the realism spirit, It has a profound influence on the creation of figure painting of later generations. It not only opened the precedent of Chinese comic books, but also had an impact on the field of freehand brushwork. "Strange" was used in freehand brushwork figures, with both shapes and spirits, attention to the likeness of gods, vividness, and vividness, as well as the influence on the field of freehand brushwork. Created a new field of freehand brushwork literati portraits. As Yangzhou eight strange recruitment, why choose the painting "ghost", which is not easily accepted by the world? How does this relate to the phenomenon of painting ghosts in Chinese painting and the background of the era of life? What is the artistic style of his ghost works? What is the meaning and function of his ghost painting? These are the categories to be studied in this paper. In this paper, based on the current situation of academic research, closely combined with the background of the times and cultural research, this paper tries to explore the deep meaning of the painting of the ghost theme. On the basis of the study of the original works, the artistic style and features of the Ghost painting are analyzed. This paper probes into the influence of the political environment, economic life, cultural background and personal experience of the society on the creation of ghost paintings. The full text is divided into the following three parts: the first part gives a general overview of the painting of ghosts in Chinese painting, explains the phenomenon of painting ghosts in Chinese painting and the background of the times in which Robin lives, from the perspective of politics, Culture and other aspects to explore the reasons for the creation of "ghost" image. In the second part, the author analyzes the works of the Ghost theme, discusses the secular, interesting and ironic aspects of the ghost image, and expounds the artistic characteristics of the ghost painting as a whole. The third part discusses the role and significance of the theme painting. Borrowing from the "ghost" metaphor, Robin reflects the darkness of the society in the middle of the Qing Dynasty, has the spirit of realism, and has a profound influence on the creation of the figure painting of later generations, opening the first Chinese comic book. The appearance of Romain ghost painting has a great and far-reaching influence on the creation of Chinese "ghost" painting genre. It can be said to be an important turning point in the expression form of Chinese "ghost" painting, and has expanded the subject matter and scope of painting art.
【學位授予單位】：揚州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.2

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