本文選題：古代、壁畫(huà) + 吳作人��； 參考：《中央美術(shù)學(xué)院》2013年碩士論文

【摘要】：建國(guó)后至改革開(kāi)放這段時(shí)間內(nèi),無(wú)論從壁畫(huà)的數(shù)量還是創(chuàng)作隊(duì)伍的人數(shù)來(lái)說(shuō),都相對(duì)比較薄弱,但是我們注意到諸多學(xué)者包括壁畫(huà)創(chuàng)作者及研究者談到改革開(kāi)放后壁畫(huà)復(fù)興的井噴,都會(huì)提到建國(guó)以來(lái)壁畫(huà)創(chuàng)作的積累。雖然這三十年間的壁畫(huà)新作屬“鳳毛麟角”,少之又少,然而卻彌足珍貴,功不可沒(méi)。也正是這三十年的沉積和積累,不僅從實(shí)踐上,更是從理性思考和精神儲(chǔ)備上,孕育了現(xiàn)代壁畫(huà)創(chuàng)作的雛形,昭示著壁畫(huà)創(chuàng)作一個(gè)嶄新時(shí)代的到來(lái)。 本文擬就1949年-1979年間的北京天文館穹頂壁畫(huà)以及投身于壁畫(huà)創(chuàng)作實(shí)踐的藝術(shù)家作為分析對(duì)象,來(lái)一窺新中國(guó)早期壁畫(huà)的進(jìn)程。并通過(guò)北京首都國(guó)際機(jī)場(chǎng)壁畫(huà)群的描述和分析,挖掘這三十年的諸多先人前輩藝術(shù)家的潛心積累對(duì)于中國(guó)壁畫(huà)創(chuàng)作高峰到來(lái)的重要意義。透過(guò)對(duì)這段歷史的審視和探究,尋找現(xiàn)當(dāng)代中國(guó)壁畫(huà)創(chuàng)作的脈絡(luò)和由來(lái),從歷史研究的角度為現(xiàn)當(dāng)代壁畫(huà)創(chuàng)作的新的突破與發(fā)展提供線索和思路。
[Abstract]:During the period from the founding of the people's Republic of China to the reform and opening up period, both the number of murals and the number of creative teams were relatively weak. However, we note that many scholars, including mural creators and researchers, have mentioned the accumulation of mural creation since the founding of the people's Republic of China when they talked about the blowout of mural rejuvenation after the reform and opening up. Although this 30-year fresco is rare, very few, but it is valuable and valuable. It is also the deposition and accumulation of these three decades, not only from the practice, but also from the rational thinking and spiritual reserve, gave birth to the embryonic form of modern murals creation, indicating the arrival of a new era of murals creation. In this paper, the dome fresco of Beijing Planetarium from 1949 to 1979 and the artists who devoted themselves to the practice of mural creation are taken as the objects of analysis to explore the process of the murals in the early period of New China. Through the description and analysis of the murals of Beijing Capital International Airport, this paper explores the significance of the accumulation of the dedication of the artists of the past 30 years to the peak of Chinese mural creation. Through examining and exploring this section of history, this paper seeks the context and origin of contemporary Chinese murals creation, and provides clues and ideas for the new breakthrough and development of modern and contemporary murals creation from the perspective of historical research.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J218.6

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本文編號(hào)：2071333