本文選題：梁元帝 + 《山水松石格》　； 參考：《南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計)》2017年04期

【摘要】：立足回歸原境之方法論原則,在對前賢所謂《山水松石格》偽托內(nèi)容進(jìn)行較詳細(xì)辨正之同時,主要從中古畫論生長史角度,通過整體內(nèi)容、四六句書啟文體、開篇處形上之思、篇幅、墨法、色彩心理感受、比例問題與證據(jù)鏈等方面之考察,證實(shí)該篇當(dāng)為梁元帝蕭繹撰。
[Abstract]:Based on the principle of methodology of returning to the original environment, this paper distinguishes in detail the so-called "mountain and water pine stone lattice" pseudo-support content of the former sages, and at the same time, mainly from the perspective of the growth history of the Middle Ancient painting theory, through the whole content, four or six sentences of the style of the book, and the thought of the beginning of the article on the form of the form. Length, ink, color psychological feelings, proportion and evidence chain, and other aspects of the investigation, confirmed that this article should be written by Xiao Yi, Emperor of Liang Yuan Dynasty.
【作者單位】： 四川大學(xué)藝術(shù)學(xué)院;
【分類號】：J205

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本文編號：2071086