本文選題：緣情寄物 + 樹(shù)木山林��； 參考：《上海師范大學(xué)》2014年碩士論文

【摘要】：組成中國(guó)山水畫(huà)的要素除了山石與水更重要的應(yīng)該是樹(shù)木山林和植物。一幅經(jīng)典山水畫(huà)作品如果沒(méi)有樹(shù)木山林和植物的相襯是無(wú)法想象該有多奇怪，更就談不上是一幅完整的山水畫(huà)作了。歷代山水畫(huà)大家無(wú)不重視對(duì)樹(shù)木山林的表現(xiàn)。從五代的趙干、北宋李成、范寬、郭熙和元代“四大家”、明代“四大家”到清代“四王”無(wú)不都是畫(huà)樹(shù)木山林的高手,這一點(diǎn)足以證明樹(shù)木山林在中國(guó)山水畫(huà)題材上的重要性。 如何觀察自然界的樹(shù)木山林，，一般來(lái)說(shuō)無(wú)非有兩個(gè)角度，一個(gè)是從遠(yuǎn)處；從整體上去觀察，一個(gè)是從近處；從細(xì)部上去觀察。中國(guó)山水畫(huà)有平遠(yuǎn).高遠(yuǎn)和深遠(yuǎn)“三遠(yuǎn)”觀察角度。由于觀察角度的不同加之觀察人的心境不同而認(rèn)識(shí)也就不同。談?wù)摌?shù)木山林之美，不妨探究一下其在色彩、形象、韻味、氣味及聲音等方面的表現(xiàn),構(gòu)成一片樹(shù)木山林其基本基調(diào)（色調(diào)）是綠色的美；點(diǎn)、線、面的結(jié)合構(gòu)成空間形式上的美；中國(guó)畫(huà)以線條為主體,構(gòu)畫(huà)樹(shù)木山林其力量、穩(wěn)定、剛勁、挺拔并結(jié)合書(shū)法藝術(shù)的干、濕、濃、淡，可突然、斷續(xù)、轉(zhuǎn)折等手法將樹(shù)木山林之韻味淋漓盡致的得以表現(xiàn)。此外,樹(shù)木山林之形狀組成的外部輪廓與有可感知的體態(tài)形成了高低錯(cuò)落的形態(tài)美；隨風(fēng)而動(dòng)的樹(shù)木山林在不同的季節(jié)中其韻味能感覺(jué)到芳香的氣味,清新的空氣,同時(shí),樹(shù)木山林在自然界中發(fā)出的各種聲音無(wú)不都是藝術(shù)家的完美素材。 在大自然的四季中，樹(shù)木山林有著不同的表現(xiàn)，季季精彩，季季不同。春季的浪漫；夏季的大度；秋季的時(shí)尚；冬季的瀟灑。四季的樹(shù)木山林千變?nèi)f化，更有寒風(fēng)中的各種形態(tài)；大雪襯托烘托下的艷姿、雪霧中的美感、陽(yáng)光折射下的英姿、與雪共舞的動(dòng)感、晨霧中的朦朧、近視中的肌理與穿插、遠(yuǎn)視下的渺茫與渾然，讓人陶醉……
[Abstract]:The elements of Chinese landscape painting in addition to rocks and water should be more important trees, mountains, forests and plants. It is impossible to imagine how strange a classic landscape painting would be without the contrast of trees, mountains, forests and plants, let alone a complete landscape painting. The past generations of landscape painting everyone attached importance to the performance of trees, mountains and forests. From Zhao Gan in the five dynasties, Li Cheng in the Northern Song Dynasty, Fan Kuan, Guo Xi and the "four major houses" in the Yuan Dynasty, and the "four great houses" in the Ming Dynasty to the "four kings" in the Qing Dynasty, they are all experts in drawing trees, mountains and forests. This is enough to prove the importance of trees and forests in the subject matter of Chinese landscape painting. Generally speaking, there are only two angles to observe the trees and forests in nature, one is from the distance, the other is from the near, the other from the detail. Chinese landscape paintings are flat. Gao Yuan and far-reaching "three far" angle of view. Because the observation angle is different and the observation person's state of mind is different, the understanding is also different. When you talk about the beauty of a tree forest, you might as well explore its expression in color, image, charm, smell, sound, etc., to form a tree forest whose basic tone (tone) is the beauty of green; dot, line, etc. The combination of surfaces constitutes the beauty of space form; Chinese painting takes lines as the main body, constructs trees, mountains, forests, its strength, stability, rigidity, straightness and combination with the dry, wet, thick, light, sudden and intermittent calligraphy art. Turning and other techniques will be the forest trees and the charm of incisively and vividly performance. In addition, the shape of the tree mountain forest forms the outer outline of the tree forest and the perceptible body forms the beauty of the high and low, and the trees that move with the wind can feel the scent of fragrance, the fresh air in different seasons, and at the same time, All kinds of sounds made by the forest in nature are the perfect material for the artist. In the four seasons of nature, the tree mountain forest has different performance, the season is wonderful, the season is different. The romance of spring; the magnanimity of summer; the fashion of autumn; the chic of winter. The trees and forests of the four seasons are everchanging, and there are various forms in the cold wind; the beauty of snow and fog, the dynamic of dancing with snow, the obscurity of morning fog, the texture of myopia, the beauty of the fog, the beauty of the snow, the motion of dancing with snow, the obscurity of the morning fog, and the texture and penetration of myopia. Long-sighted under the slim and complete, let a person intoxicated.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J212

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