本文選題：風(fēng)景油畫 + 人文關(guān)懷�。� 參考：《西南大學(xué)》2014年碩士論文

【摘要】：本文以當(dāng)代風(fēng)景油畫中的人文精神作為論述的重點(diǎn),對當(dāng)代風(fēng)景油畫中的人文精神觀念淡化和不足進(jìn)行了分析與論述,同時(shí)也解讀了一些案例,希望可以得到人們的共鳴,引起人們對風(fēng)景油畫創(chuàng)作現(xiàn)狀存在問題關(guān)注和反思,讓更多的人、更多的藝術(shù)家關(guān)注風(fēng)景油畫中的人文精神的表達(dá)、關(guān)注人類的精神需求。 本文的主題是當(dāng)代風(fēng)景油畫的人文精神分析 首先,對油畫風(fēng)景發(fā)展及人文精神觀念的植入作以概述。 其次,分析國內(nèi)風(fēng)景油畫的的人文精神的發(fā)展現(xiàn)狀。 再次,通過對當(dāng)代國內(nèi)風(fēng)景油畫中的人文精神的具體呈現(xiàn)及在相關(guān)藝術(shù)家的具體作品中的表現(xiàn)研究,分析總結(jié)了形成這種面貌的相關(guān)原因,進(jìn)而審視當(dāng)下人文風(fēng)景油畫的現(xiàn)實(shí)困境。 最后,針對筆者油畫創(chuàng)作的實(shí)踐感受提出人文風(fēng)景油畫的發(fā)展趨勢,當(dāng)代風(fēng)景油畫面臨的現(xiàn)實(shí)困境和其可能性的展望,在這一這部分中對風(fēng)景的人文精神以及人文精神在風(fēng)景油畫的呈現(xiàn)方式進(jìn)行了探討,對風(fēng)景油畫應(yīng)當(dāng)如何適應(yīng)當(dāng)代的大環(huán)境進(jìn)行分析與展望,并在探討與論述中了解了其在當(dāng)代油畫藝術(shù)教育和創(chuàng)作發(fā)展中的重要意義。
[Abstract]:This paper focuses on the humanistic spirit in contemporary landscape oil painting, analyzes and discusses the desalination and deficiency of humanistic spirit in contemporary landscape oil painting, and at the same time interprets some cases, hoping to be resonated with people. It causes people to pay attention to and reflect on the problems existing in the creation of landscape oil painting, so that more people and more artists pay attention to the expression of humanistic spirit in landscape oil painting and to the spiritual needs of human beings. The theme of this paper is the humanistic spirit analysis of contemporary landscape oil painting. First, the development of oil painting landscape and the implantation of humanistic spirit concept are summarized. Secondly, analyze the development of the humanistic spirit of domestic landscape oil painting. Thirdly, through the concrete presentation of the humanistic spirit in the contemporary domestic landscape oil painting and the performance research in the concrete works of the relevant artists, this paper analyzes and summarizes the relevant reasons for the formation of this appearance. Then examine the realistic predicament of the present humanistic landscape oil painting. Finally, the author puts forward the development trend of humanistic landscape oil painting, the realistic predicament of contemporary landscape oil painting and the prospect of its possibility in view of the practical experience of the author's oil painting creation. In this part, the humanistic spirit of the landscape and the presentation of the humanistic spirit in the landscape oil painting are discussed, and how to adapt the landscape oil painting to the contemporary environment is analyzed and prospected. And in the discussion and discussion of its contemporary oil painting in the development of education and creation of the important significance.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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本文編號(hào)：2027458