本文選題：李伯安 + 藝術(shù)語言��； 參考：《山西師范大學(xué)》2014年碩士論文

【摘要】：李伯安是20世紀(jì)末震驚中國(guó)畫壇的當(dāng)代藝術(shù)家。在他曲折坎坷的藝術(shù)生涯中有兩個(gè)重要的時(shí)期，并創(chuàng)造了典型的太行系列和青藏系列作品。他以善良、真誠(chéng)、執(zhí)著、淳樸的精神品格；癡迷于藝術(shù)的犧牲精神，為我們樹立了一個(gè)平凡而偉大的榜樣。他以博大的胸懷和對(duì)皇天后土的深切情思感悟生命，感悟中華民族精神的博大、文明的久遠(yuǎn)、歷史的綿長(zhǎng)豐厚。他繼承傳統(tǒng)打破陳規(guī)，從西方版畫、雕塑、油畫中吸取營(yíng)養(yǎng)，創(chuàng)造出適于自己作品風(fēng)格的獨(dú)特的藝術(shù)語言，創(chuàng)作了展現(xiàn)中華精神和民族風(fēng)骨的偉大作品。他立足傳統(tǒng)融合中西從多種姊妹藝術(shù)中汲取有益的繪畫元素，形成獨(dú)特的藝術(shù)語言。從木刻版畫中吸收黑白塊面的強(qiáng)烈對(duì)比，以幾何塊面分割畫面使畫面極具整體感，莊重而深沉。他吸收雕塑的團(tuán)塊和體量感使作品更具力度和厚度。大黑大白的強(qiáng)烈對(duì)比，，大面積的黑塊兒及雕塑般的線條、筆墨的蒼勁與厚重，夸張的意象造型，由此形成了強(qiáng)烈的視覺沖擊力和精神震撼力。畫家以生活為基礎(chǔ)，選擇了敦厚、樸實(shí)、善良的太行人和粗獷、豪放、寬厚的藏族人為對(duì)像，表達(dá)了他對(duì)勞動(dòng)人民的同情與人道主義情懷。他在藝術(shù)上的創(chuàng)新和探索是中國(guó)水墨人物畫的延續(xù)和發(fā)展，是對(duì)傳統(tǒng)繪畫語言的創(chuàng)新。 本文分五個(gè)部分，從李伯安的藝術(shù)生涯開始，然后，介紹了他藝術(shù)生涯中的兩個(gè)重要階段。第三部分通過對(duì)李伯安作品中獨(dú)特的藝術(shù)語言的分析，論述了其作品中折射出的深刻的精神內(nèi)涵。第四部分，分析了李伯安對(duì)傳統(tǒng)繪畫的繼承與拓展，中國(guó)畫只有在繼承傳統(tǒng)的基礎(chǔ)上的創(chuàng)新才能保持中國(guó)畫獨(dú)有的藝術(shù)特性，從而獨(dú)立于世界藝術(shù)之林長(zhǎng)盛不衰。最后，分析了李伯安及其作品對(duì)中國(guó)畫壇的影響與啟示。
[Abstract]:Li Boan is a contemporary artist who shocked the Chinese painting world at the end of 20 th century. There were two important periods in his tortuous and bumpy art career, and he created typical Taihang series and Qinghai-Tibet series works. He set an ordinary and great example for us by his kind, sincere, persistent and simple spiritual character and his obsessive spirit of sacrifice in art. With his broad mind and deep feelings for the earth of the emperor, he realized life, the spirit of the Chinese nation, the civilization for a long time, the history of the long and rich. He inherited the tradition and broke the stereotypes, drawing nutrients from Western prints, sculptures and oil paintings, creating a unique artistic language suitable for his work style, and creating great works showing the Chinese spirit and national strength. Based on tradition, he combines Chinese and Western art and draws useful painting elements from various sister arts to form a unique artistic language. The sharp contrast of black and white block surface is absorbed from woodcut print, and the picture is segmented by geometric block surface, which makes the picture very whole and solemn and deep. He absorbed the mass and volume of the sculpture to make the work more dynamic and thick. The sharp contrast of big black white, large area of black block and sculptural line, black and thick of pen and ink, exaggerated image modeling, form a strong visual impact and spiritual shock. On the basis of life, the painter chose the honest, simple, kind people and the wild, bold, generous Tibetans as the target, expressing his sympathy for the working people and humanitarian feelings. His innovation and exploration in art is the continuation and development of Chinese ink figure painting and the innovation of traditional painting language. This paper is divided into five parts, beginning with Li Boan's artistic career, and then introducing two important stages of his artistic career. The third part discusses the profound spiritual connotation of Li Boan's works through the analysis of his unique artistic language. The fourth part analyzes the inheritance and development of traditional painting by Li Boan. Only the innovation on the basis of inheriting traditional Chinese painting can keep the unique artistic characteristics of Chinese painting and thus be independent of the world art forest. Finally, it analyzes the influence and enlightenment of Li Boan and his works on the Chinese painting world.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 黃賓虹;;畫學(xué)臆談[J];工會(huì)博覽(藝苑版);2007年07期

2 劉驍純;;生辣的藝術(shù)——傷伯安[J];國(guó)畫家;2000年01期

本文編號(hào)：2027668