發(fā)布時間：2018-06-16 16:36

  本文選題：精神 + 繪畫語言　； 參考：《吉林藝術(shù)學(xué)院》2017年碩士論文

【摘要】：油畫創(chuàng)作中人物的精神表達(dá)一直是貫穿畫面的主題,對于繪畫作品來說,畫家所描繪的對象與他所獨有的繪畫語言之間有著一定程度上的相似性,這種相似性是畫家在長期實踐過程中探索出來的。作品中所營造人物形象的精神反應(yīng)是至關(guān)重要的,這種精神的傳達(dá)也要求作者的繪畫技法在氣質(zhì)上與之一致。真正的藝術(shù)家,在藝術(shù)語言上應(yīng)當(dāng)具備敏銳的感受力和對當(dāng)代藝術(shù)發(fā)展的整體觀察,重視精神性的表達(dá)也是油畫在中國發(fā)展多年形成的特點。在油畫的創(chuàng)作中要重視個人繪畫語言的探索,在提高作品藝術(shù)審美價值的同時,畫面所要表達(dá)的精神內(nèi)涵要與繪畫語言的表現(xiàn)力相契合也是很重要的,只有這種契合關(guān)系才能使作品的主題鮮明,畫面更加富有表現(xiàn)力與精神內(nèi)涵。
[Abstract]:The spiritual expression of characters in oil painting has always been the theme running through the screen. For painting works, there is a certain degree of similarity between the objects described by the painter and his unique painting language. This similarity was explored by painters in a long-term process of practice. The spiritual reaction of the characters created in the works is very important, and this spirit communication also requires the author's painting techniques to be in line with their temperament. A true artist should have a keen sense of artistic language and an overall observation of the development of contemporary art, and pay attention to the expression of spirit is also the characteristics of oil painting development in China for many years. In the creation of oil painting, we should pay attention to the exploration of individual painting language. While improving the aesthetic value of the works, it is also very important that the spiritual connotation of the picture should be consistent with the expressive power of the painting language. Only by this kind of fit can the theme of the work be distinct and the picture be more expressive and spiritual.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J204

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 張紅梅;;意象化境——劉大明油畫釋讀[J];中國油畫;2009年06期

2 徐夏林;;現(xiàn)代油畫的表現(xiàn)——情感的注解[J];美與時代;2006年01期

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本文編號：2027380