本文選題：高平 + 開(kāi)化寺��； 參考：《山西師范大學(xué)》2013年碩士論文

【摘要】：高平開(kāi)化寺為全國(guó)重點(diǎn)文物保護(hù)單位，是我國(guó)現(xiàn)存宋金時(shí)期早期建筑之一，大雄寶殿為宋熙寧六年（1073年）建造，座北朝南，面闊三間，深進(jìn)六椽，單檐九脊頂，整個(gè)梁架結(jié)構(gòu)皆為宋時(shí)所建。殿內(nèi)壁畫，除南墻無(wú)壁畫外，其余三壁皆滿繪，面積約有88.2平方米，是我國(guó)現(xiàn)存最為完整、面積最大的唯一一處宋代寺觀壁畫。內(nèi)容以佛教故事為主，壁畫繪制精美，筆力遒勁，線條流暢，技法高超。與大雄寶殿的建筑、彩繪合稱為“開(kāi)化寺三絕”，為我國(guó)古建筑中不可多得的魂寶。目前，對(duì)開(kāi)化寺的研究也是剛剛開(kāi)始，雖曾有無(wú)數(shù)專家、學(xué)者對(duì)其進(jìn)行考察和研究，但是針對(duì)大雄寶殿內(nèi)的壁畫有研究的文章卻鳳毛麟角。本文著重在審美特征方面進(jìn)行分析和研究。研究方法主要采取文獻(xiàn)參考，圖像和形式美構(gòu)成的分析，從壁畫的內(nèi)容和繪制風(fēng)格以及壁畫的藝術(shù)特征來(lái)著力進(jìn)行研究，力圖完整并清楚地展現(xiàn)出壁畫的內(nèi)容和藝術(shù)特色。高平地處太行山西南的邊緣地帶，是中華民族五千年文明史的重要發(fā)祥地之一，軍事地位也十分顯赫，著名的長(zhǎng)平之戰(zhàn)就發(fā)生在此，歷來(lái)為兵家必爭(zhēng)之地。在北魏時(shí)為氏縣，屬北魏所轄，從現(xiàn)存大量佛教文化遺址和遺存中就能看出佛教在當(dāng)時(shí)的興盛和繁榮。開(kāi)化寺壁畫分為三組，形式大致相似，中間為毗盧遮那佛《說(shuō)法圖》，兩側(cè)是經(jīng)文故事。北壁因中間開(kāi)有板門一道，又分為西面壁畫和東面壁畫，所繪內(nèi)容為本生故事圖，東壁佛像為華嚴(yán)三圣，損壞較為嚴(yán)重�？偟膩�(lái)說(shuō)，其壁畫鴻篇巨制，古樸典雅。布局疏密有致、主次分明、構(gòu)圖嚴(yán)謹(jǐn)；人物造型莊重慈祥、場(chǎng)面狀闊；線條勾勒筆力遒勁、變化豐富、色彩濃麗；在人物冠飾和建筑物上，，大量使用了瀝粉貼金的表現(xiàn)技法。壁畫整體輝煌燦爛，實(shí)為宋代壁畫之精品。
[Abstract]:Gao Ping Kaihua Temple is the key cultural relic protection unit in China. It is one of the existing early buildings in Song and Jin dynasties in China. The Daxiong Temple was built by Song Xining for six years (1073), with a seat in the north facing the south, three sections wide, deep into six rafters, and nine ridges with single eaves. The whole beam frame structure was built in Song Dynasty. The frescoes in the temple, except for those in the south wall, are full of paintings and have an area of about 88.2 square meters. They are the only temple frescoes in the Song Dynasty that have the most complete and largest existing area in our country. The main content of the Buddhist story, beautifully painted murals, powerful pen, smooth lines, superb techniques. With the building of Daxiong Temple, color painting is called "three absolute Kaihua Temple", which is a rare soul treasure in ancient architecture of our country. At present, the study of Kaihua Temple is just beginning, although there have been countless experts, scholars to investigate and study it, but there are few articles on the mural in the Hall of Great Xiong. This paper focuses on the aesthetic characteristics of the analysis and research. The research method mainly adopts the literature reference, the image and the form beauty constitution analysis, from the mural content and the drawing style as well as the mural art characteristic to carry on the research diligently, tries hard to display the mural content and the artistic characteristic completely and clearly. Gao Ping is located in the southwest of Taihang Mountain and is one of the important birthplaces of the five thousand years civilization history of the Chinese nation. The military position is also very prominent. The famous war of Changping takes place here and has always been a necessary place for soldiers. In the Northern Wei Dynasty, it was a county under the jurisdiction of the Northern Wei Dynasty. From a large number of Buddhist cultural sites and remains, we can see the prosperity and prosperity of Buddhism at that time. The frescoes of Kaihua Temple are divided into three groups. The north wall is divided into western murals and east murals because of the banmen gate in the middle. The content of the painting is a picture of this life story, and the Buddha statue of the east wall is Huayan Sansheng, so the damage is more serious. In general, its murals are monumental, simple and elegant. The layout is dense, the primary and secondary is clear, the composition is strict; the character modelling is solemn and kind, the scene is broad; the line sketch is strong, the change is rich, the color is rich; in the figure crown and the building, has used the lek powder to put the gold performance technique in a large amount Murals as a whole brilliant, in fact, the fine works of the Song Dynasty murals.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.6

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