本文選題：中國巖彩畫 + 日本畫��； 參考：《山東師范大學(xué)》2014年碩士論文

【摘要】：巖彩畫雖然源自中國傳統(tǒng)的重彩畫和壁畫，但是在材料的選擇方面現(xiàn)代巖彩畫較之從前更加的豐富，不僅有天然礦物質(zhì)色還有了人工合成的“新巖”，在繪畫風(fēng)格、技法運(yùn)用以及構(gòu)圖形式等方面與傳統(tǒng)意義上的重彩畫都有很大的不同�，F(xiàn)代的中國巖彩畫一方面繼承和發(fā)展了傳統(tǒng)重彩畫和寫意畫的藝術(shù)精華，另一方面還借鑒和吸收了西方油畫和現(xiàn)代日本畫的繪畫形式，豐富了巖彩畫的表現(xiàn)力，使其獲得了空前的藝術(shù)活力，成為中國現(xiàn)代最具生命力的畫種之一。 從宏觀上來看中國巖彩畫的發(fā)展，首先，發(fā)源于原始社會，在這個時期無論是東方還是西方社會最初均以“巖畫”的形式出現(xiàn)，以礦物顏料作為繪畫顏料涂抹于原始陶器以及巖石峭壁之上。其次，繁盛于隋唐時期，巖彩畫的前身重彩畫以及重彩壁畫在這個時期的發(fā)展達(dá)到鼎盛，重彩壁畫更是成為當(dāng)時的主流繪畫，重彩畫也正是在這個時期傳入日本，并得以繼承與發(fā)展。后來由于文人畫的興起，中國重彩畫與壁畫逐漸不受重視進(jìn)而被邊緣化。最后，復(fù)蘇于20世紀(jì)90年代，被一批赴日留學(xué)的藝術(shù)家們從日本學(xué)習(xí)后將其“帶回”國內(nèi)，它以中國的傳統(tǒng)文化為本源，，又融入了日本的民族特色，同時還吸收了西方現(xiàn)代藝術(shù)的色彩經(jīng)驗與表現(xiàn)技法，可謂是融匯了從古至今東西方的藝術(shù)精神于一身。 本文共分為三個章節(jié)，對中國巖彩畫的發(fā)展進(jìn)行了梳理。第一章主要是從傳統(tǒng)重彩畫與巖彩畫的傳承關(guān)系來探索巖彩畫的歷史淵源，以及在現(xiàn)代復(fù)蘇興起的原因。第二章是探討西方繪畫以及現(xiàn)代日本畫對中國巖彩畫產(chǎn)生的影響。首先，西畫的藝術(shù)觀念啟迪了巖彩畫家們的審美表現(xiàn)；色彩經(jīng)驗豐富了巖彩畫色彩與情感的表達(dá)；構(gòu)圖形式拓展了巖彩畫表現(xiàn)形式；其次，日本畫的形成與發(fā)展也給予了中國現(xiàn)代巖彩畫一定的啟示，科學(xué)技術(shù)的介入使材料與技法得到了拓展與升級。第三章是從現(xiàn)代中國巖彩畫的面貌出發(fā)展望巖彩畫的發(fā)展方向。
[Abstract]:Although rock paintings originate from Chinese traditional heavy colors and murals, modern rock paintings are more abundant in material selection than in the past. There are not only natural mineral colors but also artificial "new rocks", in the painting style. The application of techniques and the form of composition are very different from the traditional heavy colors. On the one hand, modern Chinese rock painting inherits and develops the artistic essence of traditional heavy color painting and freehand brushwork, on the other hand, it also draws lessons from and absorbs the painting form of western oil painting and modern Japanese painting, which enriches the expressive power of rock color painting. It has gained unprecedented artistic vitality and become one of the most vital paintings in modern China. From a macro point of view, the development of Chinese rock color painting originated in the primitive society. In this period, both the East and the West initially appeared in the form of "rock painting". Apply mineral pigments as painting pigments to primitive pottery and rock cliffs. Secondly, flourishing in the Sui and Tang dynasties, the predecessor of rock color paintings and heavy color murals reached their peak in this period, and heavy color murals became the mainstream painting at that time, and heavy color paintings were also introduced into Japan during this period. And can inherit and develop. Later, due to the rise of literati paintings, Chinese heavy paintings and murals were gradually ignored and marginalized. Finally, in the 1990s, a group of artists studying in Japan "brought back" them to Japan after studying in Japan. It was rooted in Chinese traditional culture and incorporated into the national characteristics of Japan. At the same time, it also absorbs the color experience and performance techniques of western modern art, and it can be said to be a blend of the eastern and western artistic spirit from ancient to present. This paper is divided into three chapters, the development of Chinese rock painting is combed. The first chapter mainly explores the historical origin of rock color painting from the inheritance relationship between traditional heavy color painting and rock color painting, as well as the reason of rising in the modern recovery. The second chapter discusses the influence of western painting and modern Japanese painting on Chinese rock painting. Firstly, the artistic concept of western painting enlightens the aesthetic expression of rock color painters; the color experience enriches the expression of color and emotion of rock color painting; the form of composition expands the expression form of rock color painting; secondly, The formation and development of Japanese paintings also give some enlightenment to Chinese modern rock paintings. The intervention of science and technology has expanded and upgraded the materials and techniques. The third chapter looks forward to the development direction of rock color painting from the face of modern Chinese rock color painting.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J209.2

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