本文選題：情感 + 色彩��； 參考：《哈爾濱師范大學(xué)》2013年碩士論文

【摘要】：在繪畫當(dāng)中，中國是一個對于色彩運用有著悠久歷史和豐富經(jīng)驗的民族。山水畫作為中國傳統(tǒng)繪畫中的一個分支，因其自身所特有的思想內(nèi)涵，以及技法技巧和繪畫工具的特殊性，促成了山水畫色彩在表現(xiàn)中的獨樹一幟。 色彩之所以成為繪畫語言中必不可少的重要元素是因為其獨特的藝術(shù)表現(xiàn)力。在創(chuàng)作一幅作品時，色彩起著至關(guān)重要的作用，它可以使畫面更真實更生動的反映物象，也可以豐富深刻的表達(dá)作者的內(nèi)心情感。對于畫家自身而言，由于個人內(nèi)心思想感情不同，對于色彩的感受和認(rèn)識也會有一定的差異，從而影響了繪畫風(fēng)格的多種多樣。本文以中國傳統(tǒng)繪畫中的山水畫為出發(fā)點，集中闡述色彩的運用及所起到的情感作用。表達(dá)思想感情是所有個體能動地自覺地向外界傳遞自我意識，體現(xiàn)自我價值的一種需求。畫家在通過繪畫表達(dá)思想感情的時候，，所運用的手段是多種多樣的，這里，色彩作為一種有效手段，不可或缺又非常重要，它是讓畫家和觀畫者最容易達(dá)成共鳴的一種藝術(shù)語言之一。就中國山水畫傳統(tǒng)的賦色來說，最初，它是與哲學(xué)意義上的五原色理論有著密切關(guān)系的，而青，赤，黃，白，黑又不僅僅代表顏色這一單一概念，它們表達(dá)的是萬象萬物，具有象征性。后來，中國山水畫色彩又發(fā)展出了“隨類賦彩”“墨分五色”等重要理論，它們與傳統(tǒng)五色原理有著一脈相承的關(guān)系。到了中國近現(xiàn)代，也就是在改革開放以來，西方藝術(shù)思想的涌入，借鑒與學(xué)習(xí)西方成為風(fēng)潮，自此中國山水畫向著多元化的方向發(fā)展，其色彩觀也必然呈現(xiàn)多元。尤其是西方寫實主義繪畫的色彩應(yīng)用，使中國傳統(tǒng)色彩觀的意象性有了理性的思考，長期的實踐檢驗必然會出現(xiàn)更多更新的表現(xiàn)形式。這些新的色彩形式的出現(xiàn)和應(yīng)用從而提供給畫家更多表現(xiàn)自我意識，傳達(dá)思想情感的途徑。 作為在中國哲學(xué)思想中有著特殊地位的山水畫，其色彩在演繹和發(fā)展過程中也遵循著自己特有的規(guī)律法則。反過來，這些規(guī)律和法則也給色彩打上了深深地中國烙印，成為一種具有鮮明中國民族特色的，體現(xiàn)中國傳統(tǒng)文化的色調(diào)和風(fēng)采。文章就以此據(jù)點，以山水畫色彩觀的形成和發(fā)展為脈絡(luò)，集中探討色彩的情感表達(dá)。筆者認(rèn)為，隨著中西繪畫的大交流，大融合，山水畫色彩觀的發(fā)展不僅會為山水畫的發(fā)展注入了新的鮮血和生機(jī)，更會促進(jìn)整個中國畫的繁榮，讓中國畫在世界畫壇中扎穩(wěn)腳跟。
[Abstract]:In painting, China is a nation with a long history and rich experience in color application. Landscape painting as a branch of traditional Chinese painting, because of its own unique ideological connotation, as well as the special skills and painting tools, contributed to the unique color of landscape painting in the performance. Color becomes an essential element in painting language because of its unique artistic expression. Color plays a vital role in the creation of a work, which can make the picture more real and vivid, but also can enrich the profound expression of the author's inner feelings. For the painter himself, because of the different inner thoughts and feelings, there will be some differences in the feeling and understanding of color, thus affecting the variety of painting styles. Based on the landscape painting in traditional Chinese painting, this paper focuses on the application of color and its emotional function. Expressing thoughts and feelings is a demand for all individuals to transmit their self-consciousness to the outside world and reflect their self-value. When painters express their thoughts and feelings through painting, the means used by them are various. Here, color, as an effective means, is indispensable and very important. It is one of the easiest artistic languages to resonate with painters and watchers. As far as the traditional color of Chinese landscape painting is concerned, at first, it was closely related to the five primary colors theory in the philosophical sense, and green, red, yellow, white, black not only represented the single concept of color, but they expressed everything. Symbolically. Later, the color of Chinese landscape painting developed some important theories, such as "painting with different colors", "ink divided into five colors" and so on, which were closely related to the principle of traditional five colors. In modern China, that is, since the reform and opening up, the influx of Western artistic ideas, learning from the West has become a trend, since the development of Chinese landscape painting towards the direction of diversification, its color view is bound to be diversified. In particular, the color application of Western realistic painting makes the image of Chinese traditional color concept have rational thinking, and the long-term practical test will inevitably lead to more updated forms of expression. The emergence and application of these new color forms provide more ways for painters to express their self-consciousness and convey their thoughts and feelings. As a special position in Chinese philosophy, the color of landscape painting follows its own law in the process of deduction and development. On the other hand, these laws and rules also give color a deep Chinese brand, become a distinctive Chinese national characteristics, reflect the traditional Chinese culture tone and style. Based on this position, this paper focuses on the emotional expression of color in the context of the formation and development of color view of landscape painting. The author believes that with the great exchange and integration of Chinese and Western painting, the development of landscape painting color view will not only inject new blood and vitality into the development of landscape painting, but also promote the prosperity of the whole Chinese painting. Let the Chinese painting in the world painting world firm heel.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張紅Z

本文編號：1986588