發(fā)布時(shí)間：2018-06-06 10:07

  本文選題：徐悲鴻 + 放下你的鞭子�。� 參考：《美術(shù)研究》2017年05期

【摘要】：徐悲鴻曾將"realism"一詞譯作"寫實(shí)主義"引入中國(guó),并以此藝術(shù)主張對(duì)中國(guó)畫進(jìn)行改良,但他所提倡的寫實(shí)主義與庫(kù)爾貝所主張的現(xiàn)實(shí)主義觀念卻不盡相同。盡管徐悲鴻對(duì)現(xiàn)實(shí)主義觀念有所誤解,然而,他在抗戰(zhàn)期間所繪的《放下你的鞭子》,卻體現(xiàn)出最接近現(xiàn)實(shí)主義的藝術(shù)觀。本文在辨析寫實(shí)主義與現(xiàn)實(shí)主義內(nèi)涵的基礎(chǔ)上,試圖通過(guò)對(duì)比分析《放下你的鞭子》與庫(kù)爾貝的《打石工》,挖掘徐悲鴻在此作品中暗含的與他以往作品不同的現(xiàn)實(shí)主義精神。
[Abstract]:Xu Beihong once introduced the word "realism" into China and improved Chinese painting on the basis of his artistic propositions, but his realism was not the same as that advocated by Kurbey. Despite Xu Beihong's misconception of realism, however, his painting of "lay down your whip" during the War of Resistance reflects a view of art closest to realism. Based on the analysis of the connotation of realism and realism, this paper tries to find out the different realism spirit implied by Xu Beihong in this work by comparing and analyzing "lay down your whip" and "Stonehanger" by Kurbey.
【作者單位】： 中國(guó)人民大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J205
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本文編號(hào)：1986149