發(fā)布時間：2018-06-06 15:22

  本文選題：中國油畫發(fā)展 + 審美思維發(fā)展��； 參考：《哈爾濱師范大學(xué)》2014年碩士論文

【摘要】：自從明代西方油畫傳入中國并與中國傳統(tǒng)文化相互融合之后，油畫已經(jīng)發(fā)展了400多年。改革開放之后，隨著經(jīng)濟(jì)、社會的全面發(fā)展，大眾的審美思維開始呈現(xiàn)多元化發(fā)展。中國油畫創(chuàng)作也隨之受到影響，呈現(xiàn)多元化發(fā)展。當(dāng)前，新生代藝術(shù)家的人文精神，波普和反諷藝術(shù)以及多媒體技術(shù)都對油畫創(chuàng)作的發(fā)展產(chǎn)生了重大影響。另外，本文在立足于前人研究的基礎(chǔ)上，對于大眾審美下中國油畫創(chuàng)作的體系建構(gòu)進(jìn)行歸納總結(jié)，并利用自身經(jīng)驗，詳細(xì)闡述大眾審美思維對于油畫創(chuàng)作的影響。 全文共分五個章節(jié)。首先在緒論中介紹本論文重要性的研究意義與學(xué)術(shù)價值、國內(nèi)外研究現(xiàn)狀分析、研究方法和研究目的以及研究思路與論文結(jié)構(gòu)等。第二章分為兩節(jié)，首節(jié)從油畫傳入中國的發(fā)展歷程入手，對于中西方文化碰撞，以及建國初期和當(dāng)前油畫創(chuàng)作受到大眾審美的影響進(jìn)行詳細(xì)分析；第二節(jié)則從大眾審美思維發(fā)展出發(fā)，對于當(dāng)前消費時代的社會特征和大眾審美思維發(fā)展情況進(jìn)行綜合性歸納。第三章同樣分為兩節(jié)，第一節(jié)從當(dāng)代油畫創(chuàng)作背景入手，對于文化背景、油畫創(chuàng)作者身份和油畫生態(tài)運行機(jī)制三個方面進(jìn)行分析；第二節(jié)則對于當(dāng)前油畫創(chuàng)作的多元化特征進(jìn)行歸納，并從人文性、波普和反諷藝術(shù)、現(xiàn)實主義和多媒體視角四個方面闡述。第四章立足于二、三兩章基礎(chǔ)之上，進(jìn)行思考，，對于當(dāng)前大眾審美之下，中國油畫創(chuàng)作的主要特征：批判性和包容性、超越性和世俗性、民族化和全球化等內(nèi)容進(jìn)行總結(jié)。最后為全文結(jié)論。
[Abstract]:Oil painting has been developed for more than 400 years since it was introduced into China and merged with Chinese traditional culture in Ming Dynasty. After the reform and opening up, with the overall development of economy and society, the aesthetic thinking of the masses began to show diversified development. Chinese oil painting is also affected, showing diversified development. At present, the humanistic spirit of the new generation artists, pop and irony art and multimedia technology have a great impact on the development of oil painting. In addition, based on the previous studies, this paper summarizes the system construction of Chinese oil painting creation under the popular aesthetics, and makes use of its own experience. The article is divided into five chapters. First of all, the significance and academic value of this thesis are introduced in the introduction. The present research situation, the research methods and the purpose, the research ideas and the structure of the thesis are analyzed at home and abroad. The second chapter is divided into two sections, the first section from the oil painting into China's development process, the collision of Chinese and Western cultures, as well as the initial and current creation of oil paintings by the public aesthetic impact on a detailed analysis; The second section summarizes the social characteristics of the current consumption era and the development of the mass aesthetic thinking from the perspective of the development of popular aesthetic thinking. The third chapter is also divided into two sections, the first section from the background of contemporary oil painting creation, for the cultural background, oil painting creators identity and oil painting ecological operation mechanism three aspects are analyzed; The second section summarizes the pluralistic features of current oil painting creation, and expounds from four aspects: humanism, pop and irony art, realism and multimedia perspective. The fourth chapter is based on two, three or two chapters on the basis of thinking, for the current popular aesthetic, the main characteristics of Chinese oil painting: critical and inclusive, transcendent and secular, nationalization and globalization, and so on. The final conclusion is the full text.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

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本文編號：1987142