本文選題：文人畫(huà) + 倪瓚��； 參考：《文藝研究》2017年12期

【摘要】：文人畫(huà)發(fā)端于宋,在元代形成自身獨(dú)特的面貌,畫(huà)風(fēng)影響延至明清。欲探究文人畫(huà)異軍突起的原因,必然繞不開(kāi)禪學(xué)。如果缺少了禪學(xué)對(duì)士夫文人精神世界的滲透,那么文人畫(huà)的崛起是無(wú)法想象的。而禪學(xué)作為一種關(guān)于覺(jué)悟的思想,對(duì)宋元文人畫(huà)的影響不在于技,而在于道,更進(jìn)一步講是在于對(duì)欲望表達(dá)方式的改變。禪學(xué)對(duì)于宋元文人畫(huà)的思想關(guān)聯(lián)可表述為,在繪畫(huà)表達(dá)中從"欲"到"無(wú)欲"的轉(zhuǎn)變,這即是文人畫(huà)所提倡的"平淡天真"之意。此外,盡管文人畫(huà)中的"隱逸"氣質(zhì)并不能完全歸結(jié)于禪學(xué)的影響,但卻又常被視為禪學(xué)內(nèi)觀心學(xué)作用于繪畫(huà)后的消極后果。當(dāng)文人畫(huà)基于特殊時(shí)代所表現(xiàn)出來(lái)的"平淡",成為后人眼中的"逸"之審美品格時(shí),"平淡"原本所包含的深刻的生命體驗(yàn),也蛻變?yōu)橐环N可供摹仿的風(fēng)格圖式,從而失去了其根植于內(nèi)心的動(dòng)人力量。
[Abstract]:Literati painting originated in Song Dynasty, formed its own unique appearance in Yuan Dynasty, and the influence of painting style was extended to Ming and Qing dynasties. To explore the reasons for the sudden emergence of literati painting, there must be no Zen. Without the penetration of Zen into the spiritual world of literati, the rise of literati painting is unimaginable. As a kind of thought about consciousness, the influence of Zen on literati painting in Song and Yuan dynasties lies not in technique, but in Tao, and further, in the change of expression of desire. The ideological connection of Zen to literati painting in Song and Yuan dynasties can be expressed as the change from "desire" to "no desire" in the expression of painting, which is the meaning of "plain innocence" advocated by literati painting. In addition, although the "reclusive" temperament in literati painting can not be completely attributed to the influence of Zen, it is often regarded as the negative consequence of Zen internalism after painting. When literati painting is based on the "bland" shown by the special era and becomes the aesthetic character of "ease" in the eyes of later generations, the profound life experience originally contained in "bland" has also changed into a style schema that can be imitated. Thus losing its innermost-rooted moving power.
【作者單位】： 武漢科技大學(xué)藝術(shù)與設(shè)計(jì)學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)研究青年基金項(xiàng)目“禪學(xué)與宋元繪畫(huà)風(fēng)格轉(zhuǎn)型的關(guān)聯(lián)性研究”(批準(zhǔn)號(hào):17YJC760025)成果
【分類號(hào)】：J212

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本文編號(hào)：1976228