本文選題：肌理 + 工筆花鳥��； 參考：《河北大學(xué)》2014年碩士論文

【摘要】：我國傳統(tǒng)工筆花鳥畫上面的肌理處理比較少,尤其是背景幾乎不做處理，大多的構(gòu)圖和背景是大面積的留白，也會給人一種寂靜空靈的意境。隨著新時代、新思想的到來，在構(gòu)圖上日趨豐富和多樣化，描繪的對象也越來越多。我們必須考慮背景、物象、主題融合在一起，產(chǎn)生一種畫面效果和意境。肌理就是在這個時候作為一種創(chuàng)新的因素被大家廣泛的使用起來。肌理的藝術(shù)表現(xiàn)方法有積水積色法、干擦法、水洗法、制點(diǎn)法等等。肌理效果的制作與表現(xiàn)可以讓工筆花鳥畫產(chǎn)生更多的繪畫意味，肌理的自然形成的不做作的美感與我們繪畫技法相融合之后很好的表達(dá)了繪畫作品的畫面整體氣氛，極大的豐富了工筆花鳥畫藝術(shù)的審美情趣和文化內(nèi)涵，提高了人的審美指數(shù)，對當(dāng)代工筆花鳥畫的蓬勃發(fā)展具有積極而有意義的推動作用。不僅推動了工筆花鳥畫的創(chuàng)新發(fā)展還促使工筆花鳥畫材料豐富與改革，同時有利于畫家個人風(fēng)格的形成。肌理給畫家們提供了更多的選擇，畫家將大自然中不同材質(zhì)、不同紋理和各種繪畫材料相結(jié)合創(chuàng)造出來不同的肌理效果讓作品產(chǎn)生一種特殊的形式美，表達(dá)了許多自然天成的肌理效果。肌理的出現(xiàn)是現(xiàn)代藝術(shù)理念帶給傳統(tǒng)繪畫的改變，我們在吸取其精髓的同時也要注意肌理會帶來的潛在問題，不能一味的追求肌理，忘記工筆花鳥畫的本質(zhì)，一幅好的繪畫是不能為了肌理而肌理，我們應(yīng)該合理的運(yùn)用肌理技法使其畫面效果更加完美。起到深化作品的內(nèi)涵，，表現(xiàn)自我情懷，表現(xiàn)出作品的獨(dú)特意境，滿足人們多元化的需求。
[Abstract]:Chinese traditional fine brushwork flower and bird painting above the texture treatment is less, especially the background almost do not deal with, most of the composition and background is a large area of white space, but also give people a kind of quiet and empty artistic conception. With the arrival of the new era and new ideas, the composition of the increasingly rich and diversified, more and more objects are described. We must consider the background, the object, the theme fusion together, produces a kind of picture effect and the artistic conception. Texture is at this time as an innovative factor is widely used by everyone. The artistic expression methods of texture include water accumulation method, dry wipe method, water washing method, point making method and so on. The production and expression of texture effect can make fine brushwork and bird painting produce more painting meaning. The natural aesthetic feeling of texture and our painting techniques can well express the overall atmosphere of the picture of painting works. It greatly enriches the aesthetic taste and cultural connotation of the fine brushwork flower and bird painting art, improves the aesthetic index of people, and has a positive and meaningful role in promoting the vigorous development of the contemporary fine brush flower and bird painting. It not only promotes the innovation and development of fine brushwork flower-and-bird painting, but also promotes the enrichment and reform of fine brushwork material, and is beneficial to the formation of painters' personal style. Texture provides painters with more choices. Artists combine different materials, textures and painting materials in nature to create different texture effects that create a special form of beauty. Many of the natural nature of the texture of the effect. The appearance of texture is the change of traditional painting brought by modern art concept. We should also pay attention to the potential problems brought about by texture while absorbing its essence. We should not blindly pursue texture and forget the essence of meticulous flower-and-bird painting. A good painting is not for texture, we should use texture techniques to make its picture more perfect. To deepen the connotation of the works, to express their feelings, to show the unique artistic conception of the works, to meet the diverse needs of people.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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相關(guān)期刊論文 前6條

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本文編號：1920836