本文選題：水墨戲曲人物畫 + 歷史淵源��； 參考：《河南師范大學(xué)》2016年碩士論文

【摘要】：中國(guó)繪畫歷史發(fā)展到了近現(xiàn)代,隨著西方文化思想的涌入,人們思想得到解放,迫切尋求藝術(shù)上的革新,中國(guó)傳統(tǒng)的繪畫題材已不能滿足畫家們創(chuàng)作的需求,也開始變得多樣性,傳統(tǒng)戲曲題材在畫家的探索與表現(xiàn)中,被正式的引入到水墨人物畫中,成為一個(gè)獨(dú)特的新的藝術(shù)類別。畫家通過戲曲人物作品表現(xiàn),向觀眾視覺傳達(dá)戲曲舞臺(tái)上生靈活現(xiàn)的人物形象,將傳統(tǒng)中國(guó)畫的筆墨技法與戲曲人物的造型相結(jié)合,呈現(xiàn)出一種新的藝術(shù)審美趣味。水墨戲曲人物成為戲曲和繪畫藝術(shù)相互交融的結(jié)晶,這一方面將中國(guó)傳統(tǒng)文化有效的傳承和發(fā)揚(yáng),淋漓盡致的向世人展現(xiàn)了傳統(tǒng)民族文化的獨(dú)特魅力;另一方面,水墨戲曲人物畫的出現(xiàn)不僅改善了當(dāng)時(shí)水墨畫發(fā)展的格局,提升了色彩觀念在傳統(tǒng)水墨畫運(yùn)用的地位,也開拓了繪畫題材創(chuàng)作的廣泛性,使畫家們的視野變得寬廣,積極尋求身邊的繪畫題材,為后面繪畫藝術(shù)的發(fā)展做出了積極有益的貢獻(xiàn),也在國(guó)內(nèi)外繪畫領(lǐng)域上贏得了巨大的反響。本文在充分了解戲曲人物畫從傳統(tǒng)到現(xiàn)代風(fēng)格演變的歷史前提下,著重談?wù)摿怂珣蚯宋锂嫷呐d起以及其藝術(shù)特征和價(jià)值意義。本篇論文一個(gè)分為三個(gè)章節(jié)。第一章將水墨戲曲人物畫的發(fā)展歷史以時(shí)間順序?yàn)橹髯隽艘粋�(gè)詳盡的介紹,第二章主要對(duì)它的藝術(shù)特征即在形象、造型、筆墨、色彩等方面進(jìn)行了深入研究,在本論文的最后一章,對(duì)水墨戲曲人物畫在繪畫領(lǐng)域內(nèi)產(chǎn)生的藝術(shù)價(jià)值做了一個(gè)總結(jié)。水墨戲曲人物畫無(wú)論是對(duì)題材的創(chuàng)新上還是語(yǔ)言形式特點(diǎn)上都做出了非常有益的貢獻(xiàn)。戲曲和水墨畫的有效結(jié)合大大拓寬了中國(guó)傳統(tǒng)水墨人物畫的領(lǐng)域,開拓了水墨人物畫創(chuàng)作新的觀念,將戲曲上鮮活的形象通過畫家大膽細(xì)膩的表現(xiàn)在畫紙上,呈現(xiàn)給觀眾,大大增加了水墨畫造型上的趣味性。戲曲和水墨畫二者的結(jié)合就猶如兩根跳動(dòng)的弦,交織到一起,使觀者驟然震驚,產(chǎn)生異乎尋常的理念;在繪畫藝術(shù)漫長(zhǎng)的歷史長(zhǎng)河里,水墨戲曲人物畫的結(jié)合是吉光片羽,熠熠生輝的,而且他們身上都各自帶有源遠(yuǎn)流長(zhǎng),涯無(wú)邊際的時(shí)空印記,同時(shí)對(duì)水墨人物畫的發(fā)展有著深遠(yuǎn)的影響。
[Abstract]:The history of Chinese painting has developed to the modern times. With the influx of Western cultural ideas, people's thought is liberated and the artistic innovation is urgently sought. The traditional Chinese painting themes can not meet the needs of the artists and become diverse. The traditional opera themes are formally introduced into the ink and ink in the exploration and performance of the painters. In the figure painting, it becomes a unique new art category. Through the performance of the opera characters, the painter conveys the vivid images of the living creatures on the stage of the audience's vision, combining the traditional Chinese painting techniques with the shapes of the characters of the opera, presenting a new art aesthetic taste. The characters of the Chinese ink and wash opera characters become drama and painting. The crystallization of the blending of painting art, this aspect is the effective inheritance and development of Chinese traditional culture, and vividly shows the unique charm of traditional national culture. On the other hand, the appearance of Chinese ink and ink drama not only improves the pattern of the development of the ink painting at that time, but also improves the status of the color concept in the use of traditional ink painting. It also opens up the breadth of painting subject creation, makes the artists' horizons broad, actively seeks the painting themes around them, makes a positive and beneficial contribution to the development of the art of later painting, and has won great repercussions in the field of painting at home and abroad. This article is fully aware of the evolution of the traditional to modern style of the Chinese opera figures. On the premise of history, it focuses on the rise of Chinese ink and ink drama figure painting and its artistic features and value meaning. This paper is divided into three chapters. The first chapter makes a detailed introduction to the history of the development of Chinese ink and ink dramas with time sequence, and the second chapter is mainly on its artistic features, namely, image, shape, pen and ink, and color. In the last chapter of this paper, the author makes a summary of the artistic value produced in the field of painting and ink drama figure painting in the field of painting. The Chinese ink and ink drama figure painting has made a very beneficial contribution to both the innovation of the subject matter and the characteristics of the language form. The effective combination of the opera and the ink painting is a great extension. The field of Chinese traditional ink painting widened the field of Chinese ink and ink figure painting, opening up new ideas for the creation of Chinese ink and ink figure painting. The vivid image of the opera was presented to the audience by the artist's bold and delicate expression on the painting paper, which greatly increased the interest of the ink painting. The combination of the two players of the opera and the ink and wash paintings was like two beating strings and intertwined together. In the long history of painting, the combination of Chinese ink and ink dramas is glittering and glittering in the long history of painting, and both of them have a long history and boundless space-time imprint, and have a profound influence on the development of Chinese ink painting.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J212

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