本文選題：透納 + 風(fēng)景畫家��； 參考：《美術(shù)觀察》2017年09期

【摘要】：正從16世紀(jì)被普遍定義以來,風(fēng)景畫作為一種新的觀看方式,一開始便傳達(dá)了人類對自然的認(rèn)識(shí)和復(fù)刻,之后逐步衍生為一種審美情趣,在19世紀(jì)發(fā)展至高潮。畫家們將旅行中遇到的不同地理景觀和天氣狀況作為創(chuàng)作主題,正是風(fēng)景畫題材發(fā)展的一大重要原因。英國風(fēng)景畫家透納畢生孜孜不倦于表現(xiàn)自然景觀。本文嘗試通過分析透納不同階段
[Abstract]:Since the 16th century, landscape painting, as a new way of viewing, has conveyed human understanding of nature and reetch, and then gradually evolved into an aesthetic interest, which developed to the climax in the 19th century. It is an important reason for the development of landscape paintings that painters take different geographical landscapes and weather conditions as their creative themes. English landscape painter Turner dedicated his life to the performance of natural landscape. This paper attempts to analyze the different stages of Turne
【作者單位】： 西安美術(shù)學(xué)院;
【分類號】：J205

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