本文選題：關(guān)紫蘭 + 洋為中用��； 參考：《渤海大學(xué)》2013年碩士論文

【摘要】：民國時(shí)期的中國美術(shù)進(jìn)入一個(gè)特殊的時(shí)代，由于社會動(dòng)亂和外來文化的進(jìn)入，發(fā)展和革新了中國繪畫的一批新主力軍和先驅(qū)者，他們留給后人極為珍貴的歷史資料和研究價(jià)值。關(guān)紫蘭作為當(dāng)中重要的代表人物，她的油畫藝術(shù)具有很高的研究價(jià)值，但由于一些特殊的歷史原因和社會因素，身為民國女油畫家四杰的關(guān)紫蘭卻淡出人們的視線，，這也是筆者以此為選題的主要方面。關(guān)紫蘭對于中國油畫的改革與創(chuàng)新起著重要的作用，在繪畫上的變革與新方法的引入給早期還處于呆板的油畫界帶來新的繪畫方法和歷史突破，在人物肖像畫運(yùn)用野獸派與海派文化相結(jié)合，對近現(xiàn)代人物油畫的發(fā)展起著重要的變革作用。將早期還處于刻意模仿的中國式油畫融會貫通，并與世界藝術(shù)文化接軌，對中國近現(xiàn)代美術(shù)史具有很高的藝術(shù)研究價(jià)值。本文通過對關(guān)紫蘭繪畫特征的分析、從早期以形寫意的閨閣派畫作，到中期多元化融合的作品，直至晚期受政治文化等因素而轉(zhuǎn)變的寫實(shí)題材三大風(fēng)格流變進(jìn)行研分析與考證。著重論述關(guān)紫蘭其獨(dú)特的繪畫風(fēng)格。從繪畫技巧、特征和意境等方面解讀其繪畫語言和畫中的多變元素。
[Abstract]:During the period of the Republic of China, Chinese fine arts entered a special era. Due to the social turmoil and the entry of foreign culture, a group of new main forces and pioneers of Chinese painting were developed and innovated, and they left the future generations with extremely precious historical materials and research value. As an important representative figure, Guan Zilan's oil painting art has high research value. However, due to some special historical and social factors, Guan Zilan, as a female oil painter of the Republic of China, has faded out of sight. This is also the author of this topic as the main aspects. Guan Zilan plays an important role in the reform and innovation of Chinese oil painting. The changes in painting and the introduction of new methods have brought new painting methods and historical breakthroughs to the early oil painting circle, which is still in a rigid position. The combination of Beast School and Shanghai School in the portrait plays an important role in the development of modern oil painting. Chinese oil painting, which is still in the early stage of deliberate imitation, is integrated with the world art and culture, which has a high artistic research value to the modern art history of China. Through the analysis of Guan Zilan's painting characteristics, from the early painting of boudoir in the form of freehand brushwork, to the diversified and integrated works in the middle period, to the three changes of realistic themes changed by political and cultural factors in the late period, this paper makes an analysis and textual research on the three major styles of realistic themes. Focus on Guan Zilan his unique painting style. From the painting skills, features and artistic conception and other aspects of the interpretation of his painting language and various elements in painting.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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