本文選題：現(xiàn)實主義 + 現(xiàn)實��； 參考：《山西師范大學》2013年碩士論文

【摘要】：人與自然、人與社會的關(guān)系是人類探討的永恒主題，從繪畫藝術(shù)角度出發(fā)，來思考人與自然與社會的關(guān)系，將這種關(guān)系真實的體現(xiàn)在繪畫作品中，這是現(xiàn)實主義繪畫誕生的原因之一。然而，現(xiàn)實主義藝術(shù)是西方藝術(shù)史上最為波瀾壯闊的一章。作為一種藝術(shù)運動，她發(fā)端于19世紀中期的法國，但卻不僅限于法國，而是波及到整個歐洲甚至美國，涌現(xiàn)出無數(shù)位我們至今換耳熟能詳?shù)乃囆g(shù)巨匠。 本文選“現(xiàn)實主義油畫存在的意義”這個題目的主要目的在于研究現(xiàn)實主義油畫從開始萌芽到現(xiàn)在的整個歷史發(fā)展過程，同時在藝術(shù)家的藝術(shù)創(chuàng)作過程中現(xiàn)實主義這一藝術(shù)思想是如何實踐，并起到了怎么樣的社會效果。同時探究一下中國的現(xiàn)實主義繪畫在歷史中的發(fā)展與繼承，，并將在發(fā)展過程中呈現(xiàn)出來的問題做一個梳理，并對其發(fā)展提出幾點自己的看法。對于這一選題，我認為作為一名研究生，有必要對關(guān)注自然、關(guān)注社會、關(guān)注現(xiàn)實的這么一種藝術(shù)思潮、藝術(shù)流派作一個全面的分析和總結(jié)，以便提高自己的理論基礎(chǔ)和藝術(shù)修養(yǎng)。 本文試從西方現(xiàn)實主義繪畫的發(fā)展開始，分別從以下幾個方面作了較為詳細的闡述。首先，現(xiàn)實主義油畫作為油畫藝術(shù)寶庫中一個獨立的流派，它的具體內(nèi)涵和發(fā)展歷程是什么。其次，通過現(xiàn)實主義代表性藝術(shù)家的事例，說明現(xiàn)實主義油畫存在的意義。第三，在人與自然，人與社會大的背景下，現(xiàn)實主義油畫存在的意義主要表現(xiàn)為：（1）它的存在是歷史賦予的使命，（2）它的存在是對社會現(xiàn)象的直接反映，（3）它的存在是藝術(shù)家個人情感的宣泄。最后，在中國現(xiàn)實主義又得到怎樣的發(fā)展和繼承。
[Abstract]:The relationship between man and nature and between man and society is the eternal theme of human beings. From the point of view of painting art, the relationship between man and nature and society is considered, and this relationship is truly reflected in the painting works. This is one of the reasons for the birth of realistic painting. However, realistic art is the most magnificent chapter in the history of western art. As an art movement, she originated in France in the middle of the 19th century, but not only in France, but also in the whole of Europe and even in the United States. The main purpose of this thesis is to study the whole history of realistic oil painting from the beginning to the present. At the same time, in the process of artist's artistic creation, the art thought of realism is how to practice, and what kind of social effect has played. At the same time, this paper probes into the development and inheritance of Chinese realistic painting in history, combs the problems presented in the course of development, and puts forward some views on the development of Chinese realistic painting. For this topic, I think that as a graduate student, it is necessary to make a comprehensive analysis and summary of such an artistic trend of thought, art school, which is concerned about nature, society and reality. In order to improve their theoretical basis and artistic accomplishment. This paper begins with the development of western realistic painting, and expounds it in detail from the following aspects. First of all, as an independent school in the treasure house of oil painting, what is the concrete connotation and development course of realistic oil painting? Secondly, through the realistic representative artist's example, explains the realism oil painting existence significance. Third, in the context of man and nature, man and society, The significance of the existence of realistic oil painting is mainly expressed as: (1) its existence is a mission given by history) its existence is a direct reflection of social phenomena (3) its existence is the catharsis of the artist's personal emotion. Finally, what kind of development and inheritance of realism in China.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

【共引文獻】

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