本文選題：十竹齋 + 題材�。� 參考：《中央美術(shù)學(xué)院》2015年碩士論文

【摘要】：晚明時(shí)期,伴隨著商業(yè)經(jīng)濟(jì)的發(fā)展,市民文化逐漸興起,木刻版畫也隨之走入全盛。金陵的十竹齋書坊運(yùn)用檦版技術(shù)賦予傳統(tǒng)木刻版畫新的視覺體驗(yàn),開啟了獨(dú)樹一幟的風(fēng)格特色。木刻版畫逐漸發(fā)展成不僅僅是依附于文字的插圖,而是具有獨(dú)立審美價(jià)值的藝術(shù)品�！妒颀S書畫譜》和《十竹齋箋譜》是最能代表十竹齋書坊成就的作品,即為本文所要研究的,這兩部畫譜的產(chǎn)生并不是偶然而得,其產(chǎn)生必然有其社會(huì),經(jīng)濟(jì),文化的深層因素。胡正言也正是在時(shí)代的氛圍中形成了自身獨(dú)特的藝術(shù)經(jīng)驗(yàn)、審美觀。學(xué)者們對于十竹齋版畫的關(guān)注點(diǎn)往往主要集中在闡釋十竹齋版畫在技術(shù)上取得的突破,對胡正言本人的研究也較為詳實(shí)。然而對于圖像方面的研究尚未深入開展；本文嘗試從圖像分析入手,剖析十竹齋二譜暢銷的原因,呈現(xiàn)十竹齋畫譜在創(chuàng)作中的母題選擇以及重視覺性的特點(diǎn)。
[Abstract]:In the late Ming Dynasty, with the development of the commercial economy, the civic culture was gradually rising, and woodcut prints went to the heyday. Works of art with independent aesthetic value. < Shu Chu's calligraphy and painting spectrum > and < Shi Zhi Jian notes > is the best representative of the achievement of the Shu bamboo shop. That is, for the study of this article, the generation of the two paintings is not accidental, and its production inevitably has its social, economic and cultural deep factors. Hu Zhengyan is also formed in the atmosphere of the times. The special artistic experience and aesthetic view of the scholars are mainly focused on the technical breakthroughs of the Shi bamboo prints, and the research on Hu Zhengyan himself is more detailed. However, the research on the image has not been carried out in depth. This article attempts to analyze the image analysis of the Shi Zhu fast two. The reasons for the popularity of the spectrum show the choice of the motif and the characteristics of awareness in the creation of the painting.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J217

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉紅麟;;晚明小品折射的文人心態(tài)[J];蘭州學(xué)刊;2008年09期

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本文編號：1899927