本文選題：灘頭木版年畫 + 室內(nèi)裝飾　； 參考：《中南林業(yè)科技大學(xué)》2013年碩士論文

【摘要】：傳統(tǒng)的灘頭木版年畫蘊(yùn)含著中國古老的傳統(tǒng)文化,有著特殊的精神價值和思維方式,既是歷史的見證也是文化資源的載體。在其變化與繼承發(fā)展中形成了獨(dú)特的造型藝術(shù)和多樣的表現(xiàn)形式,傳遞著民眾的各種情感,為現(xiàn)代室內(nèi)裝飾藝術(shù)提供了不可或缺的寶貴素材。作者通過實(shí)地考察與大量書籍資料閱讀分析,對其藝術(shù)特點(diǎn),傳統(tǒng)工藝,造型、構(gòu)圖、色彩和傳承創(chuàng)新等方面進(jìn)行系統(tǒng)分析和研究。重點(diǎn)從灘頭木版年畫的藝術(shù)價值和文化價值兩方面在現(xiàn)代室內(nèi)裝飾中的形式進(jìn)行研究,采用直接運(yùn)用法、傳統(tǒng)元素再運(yùn)用法、傳統(tǒng)色彩營造法和傳統(tǒng)意境創(chuàng)新等方法,對其進(jìn)行了系統(tǒng)的理論總結(jié),得出了灘頭木版年畫裝飾元素在現(xiàn)代室內(nèi)設(shè)計中的特殊性、多元性、創(chuàng)新性。我們需要努力地從傳統(tǒng)裝飾元素中獲取藝術(shù)靈感,走出一條富有現(xiàn)代感的民族特色的設(shè)計之路。這對加強(qiáng)傳統(tǒng)的民間視覺藝術(shù)與現(xiàn)代室內(nèi)裝飾設(shè)計融合起了積極的推動作用。 全球一體化的信息時代,對于外來文化的滲入,如何在現(xiàn)代化浪潮中運(yùn)用高科技手法又能體現(xiàn)中國特色的室內(nèi)裝飾受到關(guān)注。現(xiàn)代人們生活質(zhì)量的提高,審美意識的加強(qiáng),對室內(nèi)裝飾的要求更加趨向內(nèi)涵化的延伸,充分發(fā)掘和拓展中華民族博大精深的傳統(tǒng)文化,使之運(yùn)用到現(xiàn)代室內(nèi)裝飾中,塑造傳統(tǒng)與現(xiàn)代的和諧統(tǒng)一,是文化傳承與社會進(jìn)步的需要。作者希望本文對灘頭木版年畫藝術(shù)文化在室內(nèi)裝飾中的運(yùn)用研究,能為現(xiàn)代室內(nèi)裝飾藝術(shù)增添一份民族古樸、美好的意境,創(chuàng)造出具有中國特色的室內(nèi)裝飾文化空間,繼而弘揚(yáng)民族文化,繼承、發(fā)揚(yáng)中華百千年的傳統(tǒng)藝術(shù)哲學(xué)價值貢獻(xiàn)出自己的綿薄之力。
[Abstract]:The traditional beachhead wooden New year paintings contain the ancient Chinese traditional culture, which has special spiritual value and thinking mode. It is not only the witness of history but also the carrier of cultural resources. In the course of its change and development, it forms unique plastic arts and various forms of expression, conveys various emotions of the public, and provides indispensable and valuable materials for modern interior decoration art. Through field investigation and reading analysis of a large number of books, the author makes a systematic analysis and research on its artistic characteristics, traditional techniques, modeling, composition, color and inheritance and innovation. Focusing on the artistic value and cultural value of the beachhead woodcut New year painting in the form of modern interior decoration, it adopts the direct application method, the traditional element reuse method, the traditional color construction method and the traditional artistic conception innovation method, etc. A systematic theoretical summary is given, and the particularity, diversity and innovation of beachhead woodblock decoration elements in modern interior design are obtained. We need to strive to get artistic inspiration from the traditional decorative elements, and take a modern national design road. This has played an active role in strengthening the integration of traditional folk visual art and modern interior decoration design. In the information age of global integration, how to apply high-tech techniques to reflect the interior decoration with Chinese characteristics in the tide of modernization is concerned about the infiltration of foreign culture. With the improvement of modern people's quality of life and the strengthening of aesthetic consciousness, the demand for interior decoration tends to extend intensively, and fully explore and expand the extensive and profound traditional culture of the Chinese nation so that it can be applied to modern interior decoration. It is the need of cultural heritage and social progress to create a harmonious unity between tradition and modernity. The author hopes that the research on the application of beachhead woodcut New year painting art culture in interior decoration can add a national primitive and beautiful artistic conception to modern interior decoration art and create the interior decoration culture space with Chinese characteristics. Then carry forward the national culture, inherit, and carry forward the Chinese traditional artistic philosophy value of a thousand years to contribute their own modest force.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU238.2;J218.3;J525.1

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