本文選題：廣州口岸 + 西洋風(fēng)景畫�。� 參考：《華東師范大學(xué)》2014年碩士論文

【摘要】：清代廣州口岸西洋風(fēng)景畫作為東西世界方文化交流的產(chǎn)物,它的出現(xiàn)有著重要意義。首先,清代廣州口岸風(fēng)景畫的出現(xiàn)標(biāo)志著東西方間地理隔被打破,東西方經(jīng)濟文化開始接觸交流；其次,清代廣州口岸風(fēng)景畫作為出口歐美市場具有很高藝術(shù)價值的產(chǎn)品,一方面向西方世界展示了神秘東方世界的風(fēng)貌,另一方面推動了西洋繪畫在中國的傳播,使的西方繪畫的材料、表現(xiàn)方式、繪畫技巧被中國人接受,促進了西洋繪畫在中國的發(fā)展；再次,清代廣州口岸西洋風(fēng)景畫有著鮮明的中西繪畫融合的特點,具體表現(xiàn)在中西繪畫技巧、取材、審美的融合,對研究中國早期風(fēng)景畫發(fā)展有著重要的學(xué)術(shù)價值；最后,清代廣州口岸西洋風(fēng)景畫的寫實性和紀(jì)實性,真實的記錄了清代中西貿(mào)易中的歷史情境,使之成為研究清代中西貿(mào)易的歷史圖像資料,具有寶貴的史料價值。鑒于清代廣州口岸西洋風(fēng)景畫具有重大的意義與價值,本文將以清代廣州口岸西洋風(fēng)景畫為研究對象,結(jié)合中西貿(mào)易歷史與清代開埠的歷史進程分析庭院題材和地志性題材西洋風(fēng)景畫背后的歷史動因,使用當(dāng)時來華西方人所寫日記,西方商船航海日記等第一手資料,盡量從客觀角度揭示廣州口岸風(fēng)景題材洋畫的圖像發(fā)展與中西文化交流的圖像聯(lián)系。以探究廣州開港通商之后,清代廣州口岸西洋風(fēng)景畫在不同歷史時期的變化特征。本文將風(fēng)景題材清代廣州口岸西洋畫表現(xiàn)內(nèi)容再次細化分類歸納整理,將風(fēng)景題材西洋畫又分為表現(xiàn)最具嶺南園林建筑特色的庭院風(fēng)景畫和表現(xiàn)廣東名勝古跡、嶺南田園漁村、珠江流域風(fēng)光、港口風(fēng)貌的地志性風(fēng)景畫兩種類型,庭院風(fēng)景和地志性風(fēng)景是廣州口岸西洋風(fēng)景畫重要的組成部分,本文將在文中第二章和第三章重點介紹這兩部分內(nèi)容,探討研究庭院風(fēng)景畫產(chǎn)生的原因以及其具有的藝術(shù)特點,分析地志性風(fēng)景畫的興起、發(fā)展變化過程及對一些重要的風(fēng)景畫家的畫風(fēng)進行分析。本文力圖揭示清代廣州口岸西洋風(fēng)景畫所具有的學(xué)術(shù)價值和歷史意義以及在中西文化交流史、中西貿(mào)易交流史、西洋畫在中國的傳播和發(fā)展過程中的價值與意義。
[Abstract]:Western landscape painting of Guangzhou Port in Qing Dynasty is the product of cultural exchange between East and West countries, and its appearance is of great significance. First, the appearance of Guangzhou port landscape paintings in Qing Dynasty marked the breaking of the geographical separation between the East and the West, and the economic and cultural contacts between the East and the West began to be exchanged. Secondly, the Guangzhou Port Landscape paintings of the Qing Dynasty were exported to the European and American markets as products of high artistic value. On the one hand, it shows to the western world the style and features of the mysterious eastern world, on the other hand, it promotes the spread of Western painting in China, so that the materials, ways of expression, and painting techniques of Western painting are accepted by the Chinese. Promoted the development of Western painting in China. Thirdly, Western landscape painting at Guangzhou port in Qing Dynasty has distinct characteristics of Chinese and Western painting fusion, which is embodied in the integration of Chinese and Western painting techniques, materials, and aesthetics. It has important academic value to study the development of early Chinese landscape painting. Finally, the realism and reality of western landscape painting at Guangzhou port in Qing Dynasty, which truly recorded the historical situation in the trade between China and the West in Qing Dynasty. It is valuable to study the history of trade between China and the West in Qing Dynasty. In view of the great significance and value of western landscape painting at Guangzhou port in Qing Dynasty, this paper will take the western landscape painting at Guangzhou port in Qing Dynasty as the research object. Combining the history of trade between China and the West and the history of the opening of ports in the Qing Dynasty, this paper analyzes the historical reasons behind western landscape paintings on the theme of courtyard and geographies, and makes use of first-hand materials such as the diary written by Westerners in China at that time, the diary of western merchant ships, and so on. This paper tries to reveal the relationship between the image development of Guangzhou port landscape theme and the cultural exchange between China and the West from an objective point of view. In order to explore the Qing Dynasty Guangzhou port after the opening of trade, Western landscape painting in different historical periods of change. In this paper, the western paintings of Guangzhou port in Qing Dynasty are classified and classified again, and the western paintings are divided into garden landscapes with the most distinctive architectural features of the Lingnan area and Guangdong scenic spots and historic sites, Lingnan pastoral fishing villages. There are two types of landscape of Pearl River Basin, port landscape, courtyard landscape and geographies, which are important parts of western landscape painting at Guangzhou Port. The second and third chapters of this paper will focus on these two parts. This paper probes into the reasons for the development of landscape painting in the courtyard and its artistic characteristics, analyzes the rise, development and change of the landscape painting of geographies, and analyzes the painting style of some important landscape painters. This paper tries to reveal the academic value and historical significance of Western landscape painting at Guangzhou port in Qing Dynasty, as well as its value and significance in the history of cultural exchange between China and the West, the history of trade between China and the West, and the spread and development of Western painting in China.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J209.2

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