發(fā)布時間：2018-05-14 00:39

  本文選題：繪畫 + 典型形象��； 參考：《西安美術(shù)學(xué)院》2015年碩士論文

【摘要】：藝術(shù)是人類發(fā)明的語言，繪畫是這種語言中的一種，繪畫語言構(gòu)建出繪畫形象。繪畫形象的呈現(xiàn)，受一定客觀規(guī)律及人的主觀意識的影響，這主要體現(xiàn)在人的生理特點以及思維經(jīng)驗兩方面。 一件優(yōu)秀的藝術(shù)作品往往包含著多數(shù)人能夠理解的符號，藝術(shù)中的典型形象便是這種符號在某個時期，對某種特征或?qū)憣�、或抽象、或疊加的藝術(shù)語言的呈現(xiàn)。典型形象包含三個方面的特征。首先，典型形象是具有獨特個性、又能反映某些方面共性的形象；其次，典型形象往往反映的是某一歷史時期的社會現(xiàn)實或本質(zhì)特征，，是藝術(shù)家主觀上與客觀事物的統(tǒng)一；最后，典型人物應(yīng)與典型環(huán)境相結(jié)合共同塑造典型形象。藝術(shù)家塑造典型形象的過程，也是藝術(shù)家對藝術(shù)美的理解和認(rèn)識的過程，典型形象的意義表達與畫面意圖受藝術(shù)形象的典型化程度影響，典型化程度高的形象，呈現(xiàn)出的內(nèi)涵也會是永恒的，也只有這樣的作品才能經(jīng)得起歷史的考驗，長存于觀眾的記憶。 藝術(shù)的發(fā)展史是藝術(shù)家的創(chuàng)新史，藝術(shù)家一方面進行著個人的創(chuàng)作，另一方面，還有出于對大師經(jīng)典作品的尊崇而進行的再創(chuàng)作。再創(chuàng)作的過程不但能夠汲取前人的藝術(shù)營養(yǎng)，而且還會促使新事物與新思想的產(chǎn)生。中外美術(shù)史中，廣泛存在著對典型形象再創(chuàng)作的經(jīng)驗。對典型形象的再創(chuàng)作也成為了過去的典型形象與當(dāng)代文化交流的一種方式，典型通過新的語意的灌輸來傳達它的價值意義，通過新的價值觀念的傳達來保持旺盛的生命力。典型形象在不同時期觀念的滲透中不斷演變，而典型形象的再創(chuàng)作，不但是是對原典型形象的繼承，也同樣是創(chuàng)新與發(fā)展。 我的畢業(yè)創(chuàng)作對《大碗島的星期日下午》進行了再創(chuàng)作，主要運用了人物置換及增添符號的方式表現(xiàn)了大學(xué)校園這一環(huán)境下不同人物的學(xué)習(xí)生活狀態(tài)。
[Abstract]:Art is a language invented by human beings and painting is one of these languages. The presentation of painting image is influenced by certain objective law and subjective consciousness, which is mainly reflected in human physiological characteristics and thinking experience. A good work of art often contains symbols that most people can understand. The typical image of art is the presentation of certain features or realistic, abstract, or superimposed artistic language in a certain period of time. The typical image contains three features. First, the typical image is the image which has the unique individuality and can reflect the common character of some aspects; secondly, the typical image often reflects the social reality or the essential characteristic of a certain historical period, and is the unity of the artist's subjective and objective things. Finally, the typical characters should be combined with the typical environment to create a typical image. The process of creating a typical image by an artist is also a process of understanding and understanding of artistic beauty by the artist. The meaning expression and intention of the typical image are influenced by the typification degree of the artistic image, and the image with a high degree of typicalization. The connotation presented will be eternal, only such works can stand the test of history and live in the memory of the audience. The history of the development of art is the innovation history of the artist. On the one hand, the artist carries on the personal creation, on the other hand, there is the re-creation out of the respect for the master's classic works. The process of re-creation can not only absorb the previous art nutrition, but also promote the emergence of new things and new ideas. In the history of Chinese and foreign art, there is extensive experience in re-creation of typical images. The re-creation of the typical image has also become a way of the communication between the typical image and the contemporary culture in the past. The typical conveys its value meaning through the indoctrination of the new meaning and maintains the vigorous vitality through the transmission of the new value concept. The typical image evolves constantly in the infiltration of different periods, and the re-creation of the typical image is not only the inheritance of the original typical image, but also the innovation and development. My graduation creation rewrote "Sunday afternoon of Big Bowl Island", mainly using the method of character replacement and adding symbols to express the learning and living conditions of different characters in the university campus environment.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J205

【參考文獻】

相關(guān)期刊論文 前4條

1 董梅;;論繪畫作品中典型形象的塑造[J];戲劇叢刊;2013年03期

2 王向峰;;藝術(shù)典型的社會概括性[J];遼寧大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);1983年03期

3 高小華;鄭藝鴻;;重解經(jīng)典——議當(dāng)代油畫創(chuàng)作中對西方經(jīng)典作品整容現(xiàn)象[J];社會科學(xué)家;2007年S2期

4 蔡儀;藝術(shù)的典型形象[J];文藝?yán)碚撆c批評;1992年04期

本文編號：1885566