發(fā)布時(shí)間：2018-05-02 01:35

  本文選題：中國(guó)當(dāng)代油畫(huà) + 影像畫(huà)面��； 參考：《華中師范大學(xué)》2014年碩士論文

【摘要】：當(dāng)代油畫(huà)創(chuàng)作面對(duì)著琳瑯滿(mǎn)目的視覺(jué)資訊,圖像資源已經(jīng)改變了以往對(duì)自然資源直接寫(xiě)生的方式,而成為當(dāng)代藝術(shù)家進(jìn)行創(chuàng)作的天然的資源。藝術(shù)家通過(guò)借用攝影、電影電視、雜志、網(wǎng)絡(luò)等傳媒所產(chǎn)生的各種圖像,并運(yùn)用各種圖像處理方式來(lái)豐富自己的創(chuàng)作,表達(dá)自己對(duì)社會(huì)生活的觀看和體悟。本文從宏觀的時(shí)代文化背景入手,結(jié)合藝術(shù)家的創(chuàng)作案例,分析梳理了影像畫(huà)面在當(dāng)代油畫(huà)創(chuàng)作中的借用現(xiàn)象,探究這些普遍現(xiàn)象背后存在的現(xiàn)實(shí)問(wèn)題,最后提出對(duì)于藝術(shù)創(chuàng)作中圖像借用的文化思考。本文研究?jī)?nèi)容共分為五個(gè)部分： 第一部分為緒論,主要對(duì)本文的研究目的,意義以及相關(guān)理論、概念進(jìn)行闡述,并從中國(guó)當(dāng)代油畫(huà)發(fā)展中對(duì)影像畫(huà)面借用的脈絡(luò)和變化談起。第二部分對(duì)當(dāng)代油畫(huà)創(chuàng)作借用影像畫(huà)面的背景進(jìn)行分析,著重從大眾消費(fèi)文化的影響,數(shù)碼、新媒體等技術(shù)的介入和人們審美價(jià)值觀的轉(zhuǎn)變等方面進(jìn)行分析研究,這也促使得繪畫(huà)創(chuàng)作對(duì)影像畫(huà)面借用的觀念和創(chuàng)作方法發(fā)生轉(zhuǎn)變。第三、四部分是本文的重點(diǎn),對(duì)當(dāng)代中國(guó)油畫(huà)如何借用影像畫(huà)面用于創(chuàng)作進(jìn)行了解讀,著重對(duì)影像資源借用的不同類(lèi)型和繪畫(huà)創(chuàng)作方式進(jìn)行分析。結(jié)合藝術(shù)家的創(chuàng)作案例,討論不同藝術(shù)家通過(guò)對(duì)影像畫(huà)面借用的不同形式反映對(duì)當(dāng)代社會(huì)生活的體驗(yàn)與獨(dú)特觀察,也有利于深入認(rèn)識(shí)中國(guó)當(dāng)代藝術(shù)發(fā)展的軌跡和文化意義。第五部分客觀理性的把影像借用對(duì)當(dāng)代油畫(huà)創(chuàng)作產(chǎn)生的影響進(jìn)行分析,闡明筆者觀點(diǎn)。呼吁藝術(shù)家提高個(gè)人藝術(shù)修養(yǎng),文化內(nèi)涵和思想深度,承擔(dān)起自己的社會(huì)責(zé)任和文化使命,創(chuàng)造出具有時(shí)代精神和充滿(mǎn)生命力的作品。希望通過(guò)以上的論述對(duì)中國(guó)當(dāng)代藝術(shù)的創(chuàng)作產(chǎn)生啟發(fā)和參考意義。
[Abstract]:Contemporary oil painting is faced with a wide variety of visual information, image resources have changed the way of direct painting of natural resources in the past, and become the natural resources for contemporary artists to create. By borrowing all kinds of images produced by photography, film and television, magazines, internet and so on, artists enrich their creation and express their views and understanding of social life by using various image processing methods. This paper starts with the macroscopic cultural background of the times, combines the artist's creation case, analyzes and combs the borrowing phenomenon of the image screen in the contemporary oil painting creation, and probes into the realistic problems existing behind these universal phenomena. Finally, the cultural thinking of image borrowing in artistic creation is put forward. This paper is divided into five parts: The first part is the introduction, mainly to the research purpose, significance and related theory, concept of this article, and from the development of contemporary Chinese oil painting to the context and changes of the image picture borrowing. In the second part, the background of contemporary oil painting is analyzed, which focuses on the influence of mass consumption culture, the intervention of digital, new media and the transformation of people's aesthetic values. This also promotes the painting creation to the image picture borrows the idea and the creation method to produce the transformation. Third, the fourth part is the focus of this paper, the contemporary Chinese oil painting how to borrow images for the creation of interpretation, focusing on the image resources borrowing different types and painting creative way to analyze. Combined with artists' creation cases, this paper discusses the experience and unique observation of contemporary social life reflected by different forms of images borrowed by different artists, which is also conducive to a deep understanding of the track and cultural significance of the development of contemporary Chinese art. The fifth part objectively and rationally borrows the image to the contemporary oil painting creation influence carries on the analysis, clarifies the author's point of view. It appeals to artists to improve their artistic cultivation, cultural connotation and ideological depth, to assume their own social responsibility and cultural mission, and to create works with the spirit of the times and full of vitality. The author hopes to enlighten and refer to the creation of Chinese contemporary art through the above discussion.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J213

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