本文選題：現(xiàn)實(shí)主義 + 素材�。� 參考：《首都師范大學(xué)》2014年碩士論文

【摘要】：現(xiàn)實(shí)主義人物畫(huà)中,選取素材是進(jìn)行藝術(shù)創(chuàng)作的主要過(guò)程,素材運(yùn)用直接關(guān)系到藝術(shù)作品的水平。本文從素材本身論及成功作品應(yīng)具有的審美特征,把對(duì)優(yōu)秀素材中最關(guān)鍵的元素抽取出來(lái),從美感,代表性,獨(dú)特性,封閉性四個(gè)方面加以歸類,其中所涉及的每個(gè)心理環(huán)節(jié)層層刨開(kāi)。在此基礎(chǔ)上,把美感在畫(huà)面的占有的比例分為形象,動(dòng)勢(shì)和組合。又從心理審美角度把美感拆分為曲線美,空間美,力量美。代表性上從對(duì)畫(huà)面人物社會(huì)階層,性格特征,心理特征,年齡特征等的代表性影響,從正反兩方面選取例子加以說(shuō)明。獨(dú)特性上闡述了符號(hào)化形象,并結(jié)合大師的作品加以佐證。其次討論了常見(jiàn)的搜集素材的手段,從傳統(tǒng)、現(xiàn)代兩方面展開(kāi)并加以對(duì)比分析。接下來(lái)是用了大篇幅去探討藝術(shù)家用到的修改素材使之達(dá)到卓越的方法：調(diào)整不恰當(dāng)、夸張強(qiáng)化、增添細(xì)節(jié)、風(fēng)格化處理。在細(xì)節(jié)處理上闡述了兩種方式,分別是塑造局部肌理和增添裝飾元素,風(fēng)格上有用自己的風(fēng)格去造型和變形造型產(chǎn)生風(fēng)格。文中搜羅了大量藝術(shù)家創(chuàng)作稿件論述其創(chuàng)作過(guò)程中如何利用素材并對(duì)其進(jìn)行修改,補(bǔ)充,夸張的,并加以說(shuō)明分析。最后結(jié)合自己創(chuàng)作實(shí)例,分析了素材的選取過(guò)程對(duì)畫(huà)面產(chǎn)生的影響。文章重點(diǎn)是針對(duì)美術(shù)家選取素材心理過(guò)程的分析,分析了如何選取,使用手段以及修改過(guò)程。大量選取美術(shù)大師的作品,分析作品,得出結(jié)論。意義：文章把素材所能涉及的方方面面剖析展開(kāi),得出結(jié)論,素材選取是綜合多方面的修養(yǎng),不斷完善得以實(shí)現(xiàn)的。對(duì)現(xiàn)實(shí)主義人物畫(huà)美術(shù)創(chuàng)作產(chǎn)生積極的輔助作用,作為美術(shù)素材選取的指導(dǎo),可以間接改善當(dāng)代現(xiàn)實(shí)主義人物畫(huà)的缺點(diǎn)與不足。
[Abstract]:In the realistic figure painting, selecting material is the main process of artistic creation. The use of material is directly related to the level of the art works. From the material itself, this article discusses the aesthetic characteristics that the successful works should have, and extracts the most important elements in the excellent material, which is attributed to the four aspects of beauty, representativeness, uniqueness and closeness. On the basis of this, the aesthetic sense is divided into the image, the momentum and the combination, and the beauty of beauty is divided into curvilinear beauty, space beauty and strength beauty from the psychological aesthetic point of view, representing the representation of the social order, character, psychology and age characteristics of the picture characters. In the two aspects of the positive and negative effects, the sexual influence is illustrated by an example. The unique character of the symbolic image is expounded and combined with the works of the master. Secondly, the common means of collecting material are discussed from the traditional and modern two aspects. The next is to discuss the modified material used by the artist. To achieve excellent methods: inappropriate adjustment, hyperbole strengthening, addition of detail, and stylistic treatment. Two ways are described in detail, namely, to shape local texture and add decorative elements, style and style to produce style. How to make use of the material to modify, supplement and exaggerate, and to explain and analyze it. Finally, it analyzes the influence of the selection process of the material on the picture. The article focuses on the analysis of the psychological process of the selection of material by the artists, and analyses how to select, use and modify the process. Take the works of the master of art, analyze the works, draw a conclusion. The significance: the article analyses all aspects of the material, and draws a conclusion that the selection of material is a comprehensive and multifaceted cultivation, and the continuous perfection can be achieved. In order to indirectly improve the shortcomings and shortcomings of contemporary realistic figure painting.

【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J204

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本文編號(hào)：1808476