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論油畫創(chuàng)作中油性媒介材料的滲入

發(fā)布時(shí)間:2018-04-27 01:02

  本文選題:油性媒介材料 + 油畫創(chuàng)作。 參考:《湖北美術(shù)學(xué)院》2017年碩士論文


【摘要】:現(xiàn)在油畫媒介材料比以前更容易獲得并使用,現(xiàn)代技術(shù)已經(jīng)消除了這種繪畫原料的許多固有缺點(diǎn),使之對(duì)于藝術(shù)家來(lái)說(shuō)更加便于操作,并使用于自己的創(chuàng)作之中。多種媒介材料的在同一作品中的使用讓畫種之間的距離日漸縮小。隨著當(dāng)代藝術(shù)對(duì)于作畫方式與作品展現(xiàn)形式多樣化的沖擊,導(dǎo)致許多體制內(nèi)美術(shù)類高校在油畫專業(yè)的教學(xué)中,面對(duì)市場(chǎng)上新出現(xiàn)的油性媒介材料的嘗試探索非常少。在多數(shù)院校本科基礎(chǔ)教學(xué)中并沒(méi)有專門針對(duì)油性媒介材料性質(zhì)的詳細(xì)介紹。同時(shí)追隨著西方后現(xiàn)代主義和當(dāng)代藝術(shù)的興起,導(dǎo)致了人們的盲目追隨心理,否定了繪畫藝術(shù)(特別是油畫)的繪畫性,過(guò)分的強(qiáng)調(diào)藝術(shù)的主觀意識(shí),哲學(xué)觀念,不去再去關(guān)注和強(qiáng)調(diào)繪畫中的技術(shù)體驗(yàn)。當(dāng)代藝術(shù)家越發(fā)清楚材料是繪畫作品的媒介通道,而思路得到極大拓寬的藝術(shù)家們也運(yùn)用各種材料來(lái)詮釋自己的藝術(shù)作品。材料的屬性與內(nèi)涵是每一幅繪畫作品的重要組成部分。本文行文將以媒介材料發(fā)展的歷史為線,從蛋彩坦培拉的流行,油性媒介在坦培拉的大量使用,到油畫產(chǎn)生為軸,為本篇論文的研究脈絡(luò)。通過(guò)仔細(xì)臨習(xí)其材料運(yùn)用歷史轉(zhuǎn)折點(diǎn)的藝術(shù)作品,制備當(dāng)時(shí)這些藝術(shù)家所運(yùn)用的材料與工具,通過(guò)臨摹和自我創(chuàng)作來(lái)體驗(yàn)其材料性,來(lái)探究油性媒介材料在繪畫創(chuàng)作中的重要影響。油畫的出現(xiàn)是藝術(shù)史上十分具有歷史意義的事件,它豐富了人們視覺(jué)和精神世界,而油畫的誕生便是油性媒介材料對(duì)于傳統(tǒng)技法的滲入開(kāi)始的,種類繁多的油性媒介材料為我們的創(chuàng)作提供了更多的可能性。材料媒介是藝術(shù)家創(chuàng)作藝術(shù)作品時(shí)的外化形式。媒介材料同時(shí)也展現(xiàn)了其創(chuàng)作繪畫語(yǔ)言和個(gè)人的創(chuàng)作思想脈絡(luò),可能在早期創(chuàng)作時(shí)油性媒介材料以其優(yōu)秀物理和化學(xué)的性能吸引著眾多油畫家們創(chuàng)作使用,但隨著時(shí)代文化觀念的改變油性媒介材料以其豐富的材料性和材料語(yǔ)言讓更多的藝術(shù)家們將它加入到自己的藝術(shù)創(chuàng)作之中。
[Abstract]:Oil painting media materials are now more easily available and used than before, and modern technology has eliminated many of the inherent shortcomings of this painting material, making it easier for artists to operate and to use in their own creations. The use of a variety of media materials in the same work reduces the distance between paintings. With the impact of contemporary art on the variety of painting ways and works, many art colleges and universities in the oil painting specialty teaching, facing the market of new oil media materials try to explore very little. In most colleges and universities, there is no detailed introduction to the properties of oil media materials in basic teaching. At the same time, it follows the rise of western postmodernism and contemporary art, which leads to the blind follow psychology of people, negates the painting nature of painting art (especially oil painting), overemphasizes the subjective consciousness and philosophy idea of art. No more attention and emphasis on the technical experience in painting. Contemporary artists are becoming more aware that materials are the medium of painting, and artists who have greatly broadened their ideas also use various materials to interpret their works of art. The property and connotation of material is an important part of every painting. This article will take the history of media material as the line, from the popularity of egg color Tampella, the extensive use of oil media in Tampella, to the production of oil painting as the axis of this paper. By carefully studying the works of art at the turning point of their history, preparing the materials and tools used by these artists at that time, and experiencing their materiality through copying and self-creation, To explore the important impact of oil media materials in painting creation. The appearance of oil painting is a very historic event in the history of art. It enriches the visual and spiritual world of people. A wide variety of oil media materials for our creation provides more possibilities. The material medium is the externalized form when the artist creates the artistic work. At the same time, media materials also show their creative painting language and personal creative thinking. It is possible that oil media materials attracted many oil painters for their excellent physical and chemical properties when they were created in the early years. However, with the change of cultural concepts of the times, oil media materials with their rich material and material language make more and more artists add it to their artistic creation.
【學(xué)位授予單位】:湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 張衛(wèi)海;;綜合材料在當(dāng)代油畫藝術(shù)中的運(yùn)用方法[J];藝術(shù)評(píng)論;2008年09期

2 馬新平;;淺論油畫藝術(shù)中材料的功能作用[J];美術(shù)大觀;2007年08期

3 肖玉明;;油畫底子的制作[J];美術(shù)大觀;2001年02期

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