發(fā)布時間：2018-04-27 00:38

  本文選題：鄉(xiāng)賢祠 + 形象建構(gòu)�。� 參考：《文藝研究》2017年10期

【摘要】：清代廣東巨室,以潘、盧、伍、葉四家為最�！陡簧解鶚穲D》是一卷定制的、以清代十三行行商盧文錦兄弟四人為像主的中國人物畫。本文將其與盧文錦的肖像油畫對比,指出肖像油畫中的形象更接近現(xiàn)實中的人物,而《富山怡樂圖》中的盧氏兄弟以踐行儒家孝悌之士人形象示人,并廣邀當(dāng)?shù)赜新曂墓偌濐}跋、頌贊。該人物畫卷的定制,可視為"鄉(xiāng)賢祠案"后的家族形象重建的嘗試,并借此鞏固與建立政商間的庇護(hù)關(guān)系。通過深描《富山怡樂圖》及其相關(guān)諸多題跋產(chǎn)生的具體脈絡(luò),揭示其背后所隱藏的一段像主心史,為了解清代人物畫—肖像畫的性質(zhì)與功能提供線索。
[Abstract]:Qing Dynasty Guangdong Giant Room, to Pan, Lu, Wu, Ye Sijia for the most. "Fushan Yi Le Pictures" is a volume of custom, with the Qing Dynasty 13 lines Shang Lu Wenjin brothers as the master of the Chinese figure painting. This article contrasts it with Lu Wenjin's portrait oil painting, and points out that the image of portrait painting is closer to the real character, while the Lu brothers in Fushan Yi Le Picture show people by practicing Confucian filial piety. And invited a wide range of local officials and gentry famous postscript, eulogizing. The customization of the character picture scroll can be regarded as an attempt to reconstruct the family image after the case of "village shrine", and thus to consolidate and establish the sheltered relationship between government and business. Through deep description of "Fushan Yele Pictures" and its related problems and postscript, this paper reveals a history of the main mind hidden behind it, and provides clues for understanding the nature and function of the portrait painting of the Qing Dynasty.
【作者單位】： 廣州藝術(shù)博物院陳列研究部;
【分類號】：J212

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 杜平;西學(xué)東漸影響下的清代人物畫[D];河南大學(xué);2012年

2 彭曉敏;清代人物畫中兒童圖像研究[D];陜西師范大學(xué);2014年

，

本文編號：1808426