本文選題：新生代　切入點(diǎn)：本土藝術(shù)　出處：《西南大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：“新生代”是當(dāng)代社會化過程中的一個新興群體,出現(xiàn)于二十世紀(jì)90年代以后的,他們成長在中國社會與文化的轉(zhuǎn)型期,在文化思想上自由、開放、包容,善于接受外來新型事物。他們在傳統(tǒng)藝術(shù)面前表現(xiàn)自信,大膽革新,以一種與傳統(tǒng)美術(shù)格格不入的色彩思維方式踏上了中國當(dāng)代藝術(shù)的舞臺,并受到美術(shù)各界的關(guān)注。當(dāng)今時代,各種異彩紛呈的大眾文化、通俗文化、消費(fèi)文化當(dāng)?shù)?占據(jù)了廣大公眾(尤其是新青年一代)生活空問,其中,藝術(shù)家群體在各種流行文化的影響下,在藝術(shù)創(chuàng)作和藝術(shù)審美上也悄然的發(fā)生改變,表現(xiàn)為與中國傳統(tǒng)的、地域的、民族的“本土”獨(dú)特性越來越遠(yuǎn)的藝術(shù)觀念。甚者,有的藝術(shù)家在利益的驅(qū)使下為了迎合市場口味,不惜放棄自我文化根基。在當(dāng)代藝術(shù)市場上呈現(xiàn)出一種中國傳統(tǒng)精英藝術(shù)日漸衰落,本土優(yōu)秀藝術(shù)作品被漠視,甚至淡出公眾視野�！靶律弊鳛橐蝗簞倓傋叱雒涝盒ｉT的年輕藝術(shù)家,往往面對變幻無常的藝術(shù)市場而不知所措,或者深陷其中,從而迷失自我。本論文試圖以貴州當(dāng)代油畫的發(fā)展脈絡(luò)為索引,以貴州“新生代”藝術(shù)群落為研究對象,以小見大,發(fā)散性思維的方式探討“山中草,石間生”當(dāng)代地域性在油畫發(fā)展中的價值所在。
[Abstract]:The "Cenozoic" is a new group in the process of contemporary socialization, which appeared after 1990s. They grew up in the transitional period of Chinese society and culture, and they were free, open and tolerant in cultural thought. Good at accepting new foreign things. They show confidence in traditional art, bold innovation, and set foot on the stage of Chinese contemporary art in a way of color thinking that is incompatible with traditional art. And has been concerned by all circles of art. In the present era, all kinds of colorful popular culture, popular culture, and consumer culture dominate the lives of the general public (especially the new youth generation), among them, Under the influence of various popular cultures, the artists have quietly changed their artistic creation and aesthetic appreciation, which is manifested in the artistic concept that is more and more distant from the Chinese traditional, regional, and national "native" uniqueness. Some artists, driven by their interests, give up their own cultural roots in order to cater to the taste of the market. In the contemporary art market, a kind of Chinese traditional elite art has gradually declined, and local fine works of art have been ignored. Even fade out of public view. As a group of young artists who have just left the Academy of Fine Arts, the "New Generation" is often overwhelmed by the vagaries of the art market, or mired in it. This paper attempts to index the development of Guizhou contemporary oil painting, take the "Cenozoic" art community of Guizhou as the research object, through a small part to see the whole, divergent thinking way to explore the "grass in the mountains," The value of contemporary regionalism in the development of oil painting.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

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本文編號：1643856