本文選題：中國傳統(tǒng)水墨元素　切入點：現(xiàn)代　出處：《山東大學》2014年碩士論文　論文類型：學位論文

【摘要】：水墨畫藝術在我國有著悠久的歷史和優(yōu)良的傳統(tǒng),千百年來,薪火相傳,代有佳作。這種運用黑白兩色和干濕濃淡的效果來表達創(chuàng)作者內心世界的藝術表現(xiàn)形式,最富有民族特色且為大眾所喜聞樂見。隨著當前全球一體化進程的不斷加快和數(shù)字媒體技術的迅猛發(fā)展,中國現(xiàn)代插畫藝術在講究審美和實用性統(tǒng)一的前提下,呈現(xiàn)出“多元”發(fā)展的態(tài)勢和爭奇斗艷的局面。其突出地表現(xiàn)特點是：除了具有傳統(tǒng)插畫說明和解釋文字的功能之外,更多的則側重于表達作者的直觀感受和主觀意念。從材料應用和制作技術層面來看,載體與傳播手段的不斷更新,愈使得插畫藝術的發(fā)展空間持續(xù)拓寬,大有從繪畫與設計中獨立出來的趨勢。作為現(xiàn)代視覺傳達的重要媒介之一,不僅是商業(yè)用途的插畫,許多獨立插畫作品也被廣泛運用到現(xiàn)代生活的各個領域。從傳統(tǒng)的圖書、雜志、海報,到攝影、平面媒體甚至動態(tài)媒體的許多領域,現(xiàn)代插畫正呈現(xiàn)出-種前所未有的繁榮景象。 但是,自上世紀中國實行改革開放以來,經過三十年多年中西文化的頻繁交流,中國現(xiàn)代插畫藝術形式也發(fā)生了顯著的嬗變。由于西方流行藝術的影響,使得中國插畫創(chuàng)作者的價值觀念和審美情趣發(fā)生很大轉變,導致許多藝術家盲目崇拜甚至大量模仿抄襲國外的插畫風格,而這些作品并非符合中國大眾的審美需求,有些只能算是國外藝術家創(chuàng)作思想的翻版,其作品亦帶有明顯復制的痕跡。加之中國現(xiàn)代插畫市場的法規(guī)制度與管理的不完善,尤其是網絡信息技術的發(fā)展,又導致了大量質量拙劣、價格低廉、表現(xiàn)形式蒼白無力、內容缺少深刻文化內涵的“精神快餐”的泛濫。針對當前這種中國現(xiàn)代插畫藝術既丟失傳統(tǒng),又缺少創(chuàng)新的窘境,探索具有中國傳統(tǒng)民族特色插畫藝術發(fā)展之途徑,無疑是擺在我們面前亟待解決的重要課題。 本課題的緣起,是在本人查閱相關的研究資料時發(fā)現(xiàn),多數(shù)既有成果僅停留在對技法上的闡述,而缺乏系統(tǒng)性,故而將中國傳統(tǒng)水墨畫與現(xiàn)代插畫設計完美結合作為本文研究的重點,通過對民族傳統(tǒng)水墨元素在插畫中運用狀況的審視與梳理,注重傳統(tǒng)文化的傳承和發(fā)展。本文的寫作首先在于厘清研究思路,闡述完整設計過程,并且結合自己所學專業(yè)知識及積累的創(chuàng)作實踐經驗,從設計思路的拓展入手,進而在設計理念上追求中國本土特色、與中國傳統(tǒng)文化的結合,再到技法上對傳統(tǒng)水墨畫的借鑒,最后探索現(xiàn)代技術在水墨插畫設計中的運用。以期為該領域的發(fā)展提供借鑒。
[Abstract]:Painting art in China has a long history and a fine tradition of Chinese painting, for thousands of years, passing the torch, on behalf of a masterpiece. The use of black and white and dry bias to express the effect of the creators of the inner world of art forms, the rich ethnic characteristics and that the public like smell. With the rapid development of the global integration process the accelerating and digital media technology, Chinese modern illustration art in the premise of exquisite aesthetic and practical unity, showing a "multiple" trend of development and flourish situation. Its outstanding performance is: in addition to traditional illustration and explain the function of the text, more focus on the expression of the author intuitive feelings and subjective ideas. From the material application and production technology level, means of vector and dissemination of constantly updated, making more space for development of illustration art continued to expand There is wide, independent from the painting and design trend. As one of the important media of modern visual communication, is not only a commercial illustration, many independent illustrations have been widely used in various fields of modern life. From traditional books, magazines, posters, photography to many fields, and even dynamic print media the media, the modern illustration is showing a hitherto unknown prosperity.
However, since the last century Chinese reform and opening up, after thirty years of frequent exchanges between Chinese and Western culture, Chinese modern illustration art form has undergone significant changes. Due to the influence of western pop art, the concept of value Chinese illustrator and aesthetic interest changed greatly, leading to many artists blind worship or even a large number of plagiarism the illustration style, and these works are not meet the aesthetic needs of the public Chinese, some can only be regarded as foreign artists thought replica, whose works have obvious traces. In addition to copy regulations and management Chinese modern illustration market is not perfect, especially the development of network information technology, has led to a large number of quality poor, low price, feeble form, flooding the content of the lack of profound cultural connotation of "spiritual food" in view of the current. The art of illustration in China not only loses its tradition but also lacks the dilemma of innovation. Exploring the way to develop the illustration art with Chinese traditional characteristics is undoubtedly an important topic to be solved before us.
The origin of this topic, the relevant research data is found in my review, most existing results only in the skill of the exposition, and lack of system, it will China traditional ink painting and the perfect combination of modern illustration design as the focus of this study, based on the traditional ink elements by examining and combing the situation in the illustration, pay attention to the inheritance and development of traditional culture. This article first is to clarify research ideas, the whole design process, and combine their professional knowledge accumulation and creation experience, starting from the development of design ideas, and the pursuit of China local characteristics in the design concept, combining with Chinese traditional culture. The techniques of traditional ink painting for reference, and finally explore the use of modern technology in ink illustration design. In order to provide a reference for the development of the field.

【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J218.5

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本文編號：1643842