發(fā)布時間：2018-03-15 01:28

  本文選題：圖式　切入點：山水畫　出處：《云南師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：山水畫圖式是中國山水畫所特有的構成，是與中國山水畫的傳承、創(chuàng)新與發(fā)展不可分割的一部分。倪瓚是元代極具個性的文人畫家，他通過對前人作品和對同代文人畫作的研習和借鑒，創(chuàng)造形成了具有自己鮮明特色的山水畫圖式。倪畫中的山、石、樹木、水等物象都打上了鮮明的個人烙印，他的藝術思想融入遠山、闊水、枯樹、草亭等物象，這些特有的物象融入作品中整體和諧地存在著，他的畫作與“逸氣說”思想對后代繪畫產生了重大影響，一直延續(xù)到今，他特有的“一水兩岸”、三段式山水畫圖式經過各個時期的不同發(fā)展，在前、中、后期又分別傾向于各階段的不同的特征，倪瓚的山水畫構圖以簡取勝，簡中寓繁，，他的藝術思想個性的融入在晚期形成并成熟，是倪瓚內在精神與外在形式的統(tǒng)一體現(xiàn)，是對“逸”的最高追求。
[Abstract]:Landscape painting pattern is a unique composition of Chinese landscape painting, and is an integral part of the inheritance, innovation and development of Chinese landscape painting. Ni Zan is a literati painter with great personality in Yuan Dynasty. By studying and drawing lessons from his predecessors' works and his paintings of literati of the same generation, he created a landscape painting pattern with his own distinctive characteristics. The images of mountains, stones, trees, and water in Ni paintings were all marked with distinct personal imprints. His artistic thoughts are integrated into the distant mountains, wide waters, dead trees, grass pavilions, and so on. These unique images exist harmoniously in the works as a whole. His paintings and the idea of "Yi Qi Theory" have had a great impact on the paintings of future generations, and have continued to this day. His unique "water and water two sides", the three-section landscape painting pattern through the different development of each period, in the former, the middle, the later period respectively inclines to the each stage different characteristic, Ni Zan's landscape painting composition wins by the simple, the simple and complex, The integration of his artistic thought and personality formed and matured in the late stage, which was the unity of Ni Zan's inner spirit and external form, and the highest pursuit of "Yi".
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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本文編號：1613840