本文選題：擔(dān)當(dāng)　切入點：山水　出處：《河北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在明末清初的畫壇，擔(dān)當(dāng)屬于非主流畫家。然而，迄今看來，他以獨特的繪畫風(fēng)格和藝術(shù)魅力在云南藝術(shù)史，乃至中國藝術(shù)史上享有一席之地。擔(dān)當(dāng)?shù)乃囆g(shù)個性極強，，風(fēng)格超逸，以禪入畫，主張禪畫合一，在繪畫和理論上產(chǎn)生了深遠影響。擔(dān)當(dāng)?shù)乃囆g(shù)以傳統(tǒng)文化為底蘊，取前人之精髓，以特殊的個人經(jīng)歷和對藝術(shù)創(chuàng)作的感悟溶于繪畫之中，并在創(chuàng)作中滲透自己參禪悟道所得的禪理和禪趣，這造就了他獨道的藝術(shù)風(fēng)采。 本文主要從四個部分介紹了擔(dān)當(dāng)山水畫的藝術(shù)特點和成就，以及對中國藝術(shù)史產(chǎn)生的影響。第一，以擔(dān)當(dāng)?shù)募彝ケ尘昂蜕罱?jīng)歷為基礎(chǔ)，介紹他的師承關(guān)系，由此來了解擔(dān)當(dāng)藝術(shù)的思想來源。第二，綜述擔(dān)當(dāng)?shù)乃囆g(shù)，簡要分析擔(dān)當(dāng)在詩文、書法和繪畫方面取得的成就。第三，通過“詩境”和“禪意”兩個理念分析擔(dān)當(dāng)?shù)纳剿�，并表達出擔(dān)當(dāng)山水畫中詩禪意境的相通，精神與物象的融合，以及禪宗思想對擔(dān)當(dāng)繪畫的藝術(shù)表現(xiàn)和影響。從擔(dān)當(dāng)山水畫的外在物象入手，以他的繪畫筆墨和作品圖式來分析擔(dān)當(dāng)山水畫的獨道性，并從中揭示內(nèi)在的理論思想。本文的第四部分是對擔(dān)當(dāng)人生及其藝術(shù)的一個總結(jié)。 擔(dān)當(dāng)之于中國藝術(shù)史上的價值，不僅僅是在詩文、書法和繪畫上所取得的成就，他的藝術(shù)思想理論也留給后人無盡的學(xué)習(xí)，而更為主要的這其中蘊含的人文情懷和他的藝術(shù)精神，這遠比書畫作品本身更能引人更多的思考。
[Abstract]:In the painting world of late Ming and early Qing Dynasty, he was a non-mainstream painter. However, up to now, he has enjoyed a place in the history of art in Yunnan and even in the history of Chinese art with his unique painting style and artistic charm. The style of superfluous, Zen into painting, advocated the unity of Zen painting, in painting and theory has a profound impact. The art of responsibility based on the traditional culture, take the essence of the predecessors, with a special personal experience and artistic creation in the feelings of painting, And in his creation, he permeated the Zen theory and Zen interest, which created his unique artistic demeanor. This paper mainly introduces the artistic characteristics and achievements of Zengzheng landscape painting and its influence on the history of Chinese art from four parts. First, based on his family background and life experience, the author introduces his teacher-bearing relationship. The second is to summarize the art of acting, and to analyze briefly the achievements in poetry, calligraphy and painting. Third, to analyze the landscape painting through the concepts of "poetic conception" and "Zen meaning". It also expresses the connection of poetic and Zen artistic conception in landscape painting, the fusion of spirit and image, and the artistic expression and influence of Zen thought on acting as painting. This paper analyzes the uniqueness of the landscape painting with his painting, ink and pattern, and reveals the internal theoretical thoughts. The 4th part of this paper is a summary of the life and art of acting. The value to the history of Chinese art is not only his achievements in poetry, calligraphy and painting, but also the endless study of his artistic thought and theory. The more important one is the humanistic feelings and his artistic spirit, which can arouse more thinking than the painting and calligraphy works themselves.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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